Linda Maye Adams was probably the least likely person to be in the Army—even the Army thought so! She was an enlisted soldier and served for twelve years and was one of the women who deployed to Desert Storm. But she’d much prefer her adventures to be in books. She is the author of the military-based GALCOM Universe series, including the novels Crying Planet and Lonely Planet. She’s also received three honorable mentions in the Writers of the Future contest and an honorable mention in Alfred Hitchcock Magazine‘s contest. Linda is a native of Los Angeles, California, and currently lives in Northern Virginia. Find out more about Linda Maye Adams on her website at www.lindamayeadams.com.
I had a very bleak point back in 2010: I was about to give up writing novels. I’d come out of a cowriter relationship that had blown up spectacularly, and I’d taken a hit to my confidence.
I’d had problems with my writing going in, and he’d promised his strengths could shore them up. I always ran too short and struggled with subplots. The result was that I spent several years not trying to figure out what the problem was. When we broke up, I had to relearn my craft.
I knew I needed to get back up on the horse, and that novel was Rogue God (though it was called Miasma at the time of my Odyssey Online class).
It was important that I finish a novel—without the cowriter.
But all the same problems that had plagued me for years returned, and the early versions were really broken. I remember one writer asking me if I wanted her to have a look at it, trying to be helpful, and I couldn’t do it. I thought she was going to think I was a horrible writer!
I could do short stories. I didn’t understand why it was different for novels. I was about to throw in the towel and just stick with short stories.
Then I found one of Holly Lisle’s workshops, right over Thanksgiving. It helped me see some of the problems that had crept into the novel. But she was an outliner, and her methods were based on the assumption I was outlining, so they didn’t really work that well for me. But it got me far enough along that the story didn’t look like a UFO had crashed and taken out an entire city. Maybe a freeway…
In 2013, I ran across the Odyssey classes for that year. Barbara Ashford’s class Getting the Big Picture hit me in the right way, so I asked if it involved outlining or not. She doesn’t outline, so I was willing to try and submitted the application. If you haven’t done it before, you have to get referrals and submit a sample of your writing.
In the back of my head, I expected to be turned down. My writing had been so messed up, it was hard for me to see what was good about it. I still thought: UFO crashing and taking out a city.
Then I got accepted!
The class was actually quite grueling for me. It was in January, and I got a cold and stayed sick for the entire class. But I did all the course work in spite of how I felt because you have to do the exercises to really stick the learning.
Especially if the exercises are hard.
I had to go back over my notes from the class to refresh my memory. I can see things in it now that I struggled to grasp then. But I understood enough that it got me on the next leg of my journey. I was able to finish Rogue God, and the only disasters happened in the story, not at the story.
The professional-level Odyssey Writing Workshop is dedicated to helping writers of science fiction, fantasy, and horror grow in the craft of writing through winter online classes and a six-week summer workshop in New Hampshire. There is nothing like Odyssey—exceptional writing classes, critiques, and community encourages you to move outside your comfort zone and build new skills.
Apply by December 7 through 15 for the online classes. This year’s topics are Compelling Scenes, Meaning and Resonance Through Subtext, and Short Stories With That Crucial Spark.
Apply by April 7, 2018 for the summer in-person workshop.