Interview: Graduate Farah Naz Rishi

FarahRishi_NewHeadshot2016 Odyssey graduate Farah Naz Rishi is a Pakistani-American Muslim writer and voice actor, but in another life, she’s worked stints as a lawyer, a video game journalist, and an editorial assistant. She received her B.A. in English from Bryn Mawr College, her J.D. from Lewis & Clark Law School, and her love of weaving stories from the Odyssey Writing Workshop. When she’s not writing, she’s probably hanging out with video game characters. You can find her at home in Philadelphia, or on Twitter at @far_ah_way.


You attended Odyssey in 2016. Can you talk about your pre-Odyssey writing process? What kind of writing schedule, if any, did you keep? 

Before Odyssey, I had no writing process to speak of; I wrote sporadically, at best, writing down a few sentences and phrases that I thought were interesting and would spur a greater story. Of course, they never did; my interest quickly waned and I’d give up. I also wasn’t exactly sure how one turned a few sentences into an entire book. As a result, I kept no writing schedule at all and only wrote during lulls in law school classes. Continue reading “Interview: Graduate Farah Naz Rishi”

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Interview: Graduate Travis Heermann (Part 2 of 2)

Heermann-hi-resFreelance writer, novelist, award-winning screenwriter, editor, poker player, poet, biker, and roustabout Travis Heermann is a 2009 graduate of the Odyssey Writing Workshop. He is the author of The Ronin Trilogy, Rogues of the Black Fury, and co-author of Death Wind, and has had short fiction pieces published in anthologies and magazines such as Apex Magazine, Alembical, the Fiction River anthology series, Historical Lovecraft, and Cemetery Dance’s Shivers VII. As a freelance writer, he has produced a metric ton of role-playing game work both in print and online, including the Firefly Roleplaying Game, Battletech, Legend of Five Rings, d20 System, and the MMORPG, EVE Online.

He has a Bachelor of Science in Engineering, a Master of Arts in English, and teaches science fiction literature at the University of Nebraska Omaha. He enjoys cycling, martial arts, torturing young minds with otherworldly ideas, and monsters of every flavor, especially those with a soft, creamy center. He has three long-cherished dreams: a produced screenplay, a NYT bestseller, and a seat in the World Series of Poker.


Part 1 of this interview, posted last Sunday, is available here.

How do you feel your writing and writing process changed as a result of having attended Odyssey? What insights did you gain into your own work?

The biggest thing that I got from Odyssey was being able to apply a working vocabulary to aspects of writing that I had been mostly doing only intuitively. Story structure is a good example. I was vaguely aware that stories had an act structure, but I’d never applied myself to learning all that before. Continue reading “Interview: Graduate Travis Heermann (Part 2 of 2)”

Interview: Graduate Travis Heermann (Part 1 of 2)

Heermann-hi-resFreelance writer, novelist, award-winning screenwriter, editor, poker player, poet, biker, and roustabout Travis Heermann is a 2009 graduate of the Odyssey Writing Workshop. He is the author of The Ronin Trilogy, Rogues of the Black Fury, and co-author of Death Wind, and has had short fiction pieces published in anthologies and magazines such as Apex Magazine, Alembical, the Fiction River anthology series, Historical Lovecraft, and Cemetery Dance’s Shivers VII. As a freelance writer, he has produced a metric ton of role-playing game work both in print and online, including the Firefly Roleplaying Game, Battletech, Legend of Five Rings, d20 System, and the MMORPG, EVE Online.

He has a Bachelor of Science in Engineering, a Master of Arts in English, and teaches science fiction literature at the University of Nebraska Omaha. He enjoys cycling, martial arts, torturing young minds with otherworldly ideas, and monsters of every flavor, especially those with a soft, creamy center. He has three long-cherished dreams: a produced screenplay, a NYT bestseller, and a seat in the World Series of Poker.


Your latest novel, The Hammer Falls, was funded on Kickstarter in only twelve hours. Congratulations on both a successful Kickstarter and on the release of a new novel! You wrote a post in 2016 for the Odyssey blog on running a Kickstarter. Would you share some tips for getting the word out about Kickstarters? How did you encourage people to participate?

The key is stoking up your friends, family, and fans. 90% of this campaign’s backers were friends, family, fans, and repeat business people who had supported my Kickstarters in the past. And then you have to ask. For many of us, that’s the hardest part. Continue reading “Interview: Graduate Travis Heermann (Part 1 of 2)”

Graduate Essay: Rebecca Kuang, “Changing Everything”

Kuang HeadshotCongratulations to 2016 Odyssey graduate Rebecca F. Kuang on the success of her debut novel, The Poppy War, the first installment in a Chinese-history inspired epic fantasy trilogy about empire, warfare, shamanism, and opium.

Since its release in May 2018, The Poppy War has won the Crawford Award and the r/Fantasy Stabby Award for Best Debut and has become a finalist for the Goodreads Choice Award, the Compton Crook Award, and the Nebula Award. Rebecca is also a finalist for the John W. Campbell Award for Best New Writer.

The following essay about Rebecca’s Odyssey experience was originally published here on April 9, 2017.


I came to Odyssey on the verge of a horrible case of writer’s block. I had just sold my first novel. I was now under contract to write two more. I had to finish a 200,000-word project in a little over a year. I’d been trying for weeks to tackle it. I couldn’t write a word. Continue reading “Graduate Essay: Rebecca Kuang, “Changing Everything””

Interview: Graduate & Guest Lecturer Sara King (Part 3 of 3)

SaraAuthorpicAlaskan writer Sara King will be a guest lecturer at this summer’s Odyssey Writing Workshop. She is the bestselling author of The Legend of ZEROOuter BoundsGuardians of the First Realm, and her latest urban fantasy series, Sunny Day, Paranormal Badass, among others. She’s an alumna of the 2008 Odyssey Writing Workshop and has spent the last six years forging a successful career in independent publishing in the sci-fi and fantasy genres. To her chagrin, she is owned by four 120-plus-pound Tibetan Mastiffs, cautiously maintains a flock of ninja chickens, and has so many literary irons in the fire that she’s losing count. Thankfully, whenever she needs writing inspiration, she can step out her front door to go wandering in the Alaskan wilderness until she gets cold or almost dies—usually one or the other, but sometimes both—and then stumble home with fresh stories to tell and a new respect for falling, drowning, hypothermia, disorientation, and aggressive 1,500-pound wildlife.


Part 2 of this interview, posted last Sunday, is available here.

In a blog post from 2015, you mention burnout in writing. How can writers recognize burnout, and what do you think they can do about it so that they can continue writing or resume it in the future?

Uhm, well, this is a big ongoing problem for me. I think the biggest way to avoid burnout is to keep consuming good creative input. (Keyword “good.”) Unfortunately, that’s easy to say and less easy to do when your job requires you to be at your computer for vast portions of every day, so I’m guessing the easiest way to avoid burnout is to maintain a set schedule of consumption vs. production where you never output more than you input. But, because I’m a non-linear creative type who finds that impossible, I’ve just come to understand that burnout is inevitable and so maybe binge Game of ThronesSherlock, or Firefly to get back on track. Continue reading “Interview: Graduate & Guest Lecturer Sara King (Part 3 of 3)”

Interview: Graduate & Guest Lecturer Sara King (Part 2 of 3)

SaraAuthorpicAlaskan writer Sara King will be a guest lecturer at this summer’s Odyssey Writing Workshop. She is the bestselling author of The Legend of ZEROOuter BoundsGuardians of the First Realm, and her latest urban fantasy series, Sunny Day, Paranormal Badass, among others. She’s an alumna of the 2008 Odyssey Writing Workshop and has spent the last six years forging a successful career in independent publishing in the sci-fi and fantasy genres. To her chagrin, she is owned by four 120-plus-pound Tibetan Mastiffs, cautiously maintains a flock of ninja chickens, and has so many literary irons in the fire that she’s losing count. Thankfully, whenever she needs writing inspiration, she can step out her front door to go wandering in the Alaskan wilderness until she gets cold or almost dies—usually one or the other, but sometimes both—and then stumble home with fresh stories to tell and a new respect for falling, drowning, hypothermia, disorientation, and aggressive 1,500-pound wildlife.


Part 1 of this interview, posted last Sunday, is available here.

For the past four years, you have sponsored the Parasite Publications Character Awards, which provide scholarships to three character-based writers attending Odyssey. Thank you for your generosity! What draws you to character-driven fiction? What do you think plot-driven writers could learn from writers of character-driven fiction?

Uh oh. You asked The Question. (Warning: What follows is a rant on the state of science fiction as an art form, how it lags behind the other genres in both readership and author diversity because it is actually less evolved creatively than the other genres, and how it needs to be brought up to par with all the other genres by intrepid people like you.) Well, for one, I can’t believe you’re asking this question. It’s my humble opinion (f*** it, I’m not very humble) that character-driven fiction is the best kind, hands down, because it allows readers to fully submerge themselves in the minds, situations, and psyches of another human being, enriching them for life afterwards. Name me one other medium that can do that. It allows people to live lives they haven’t lived, experience emotions they otherwise wouldn’t experience, and make friends they otherwise wouldn’t have had. The most gripping stories are character driven. Stephen King, Dean Koontz, George Lucas, George R.R. Martin, Patricia Cornwell, Orson Scott Card, David Baldacci. Every thriller I’ve ever read has been character driven, and they have to be—otherwise people won’t have any investment in whether the character lives or dies, and the end result of the thriller would be moot. Same for romance or fantasy. Continue reading “Interview: Graduate & Guest Lecturer Sara King (Part 2 of 3)”

Interview: Graduate & Guest Lecturer Sara King (Part 1 of 3)

SaraAuthorpicAlaskan writer Sara King will be a guest lecturer at this summer’s Odyssey Writing Workshop. She is the bestselling author of The Legend of ZEROOuter BoundsGuardians of the First Realm, and her latest urban fantasy series, Sunny Day, Paranormal Badass, among others. She’s an alumna of the 2008 Odyssey Writing Workshop and has spent the last six years forging a successful career in independent publishing in the sci-fi and fantasy genres. To her chagrin, she is owned by four 120-plus-pound Tibetan Mastiffs, cautiously maintains a flock of ninja chickens, and has so many literary irons in the fire that she’s losing count. Thankfully, whenever she needs writing inspiration, she can step out her front door to go wandering in the Alaskan wilderness until she gets cold or almost dies—usually one or the other, but sometimes both—and then stumble home with fresh stories to tell and a new respect for falling, drowning, hypothermia, disorientation, and aggressive 1,500-pound wildlife.


As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?

Honestly, I think the most important advice I can give new writers is to cultivate a relentless follow-through and stubborn tenacity—a powerful knowledge than you will be a successful writer, and everyone who says otherwise is full of s***. Plenty of people want to be writers—millions of people—but they don’t keep wanting it until it eats at them at night that they’re not producing stories for the masses. I think the difference between a professional writer and the average writer who will never get past the first failed book is that the average writer will take that failed book after it’s clear it’s failed and hug it and cry and call their mother about how life is so hard and they’re an artiste and nobody understands them or their genius and then stubbornly and bombastically swear off writing in a drunken admission of defeat, whereas the professional writer will take that same failed book, cock their head at it, and think, “All right, what do I need to fix for the next one?” And then go do it. Ten more times. Fifteen more times. However many times it takes to get it right. Continue reading “Interview: Graduate & Guest Lecturer Sara King (Part 1 of 3)”