Special Announcement: 2019 Odyssey Online Classes

ODYSSEY ONLINE OFFERS LIVE, INTENSIVE, INTERACTIVE CLASSES THAT MAKE A MAJOR DIFFERENCE FOR WRITERS

“The class definitely blew away my expectations! It was fascinating, rigorous, and I had to work hard to keep up, which was exactly what I wanted. I would recommend Odyssey Online to anyone serious about improving their writing.”

—Andrew Alford

Since its founding in 1996, the Odyssey Writing Workshop has become one of the most highly respected and effective programs for writers of fantasy, science fiction, and horror in the world. In 2010, to further Odyssey’s nonprofit mission of helping developing writers of the fantastic, we adapted the techniques that are so effective at the in-person workshop to create online classes. We’ve worked very hard to ensure that our online classes are of the same caliber as our in-person workshop and that they deserve to carry the name of Odyssey.

In live class meetings, students learn specific, invaluable techniques, ask questions, and participate in discussions. Between meetings, they interact with each other and the instructor in a discussion group, complete demanding assignments, and give and receive in-depth feedback. Each student also has a one-on-one meeting with the instructor.

Odyssey Online offers only three online classes each year and admits only fourteen students per class, to keep quality high and ensure each student receives individual attention.

Application deadlines are in early December, and courses are held in January and February. While Odyssey’s nonprofit mission is to help writers of fantasy, science fiction, and horror, writers of any genre of fiction are welcome to apply. Courses will also cover issues relevant to writers of adult, young adult, and middle grade fiction.

Emotional Truth: Making Character Emotions Real, Powerful, and Immediate
Course Meets: January 10 – February 7, 2019
Instructor: Award-winning editor and publisher Scott H. Andrews
Level: Intermediate to Advanced
Application Deadline: December 12, 2018

Instructor Scott H. Andrews is the editor-in-chief and publisher of the fantasy magazine Beneath Ceaseless Skies, a six-time Hugo Award finalist and winner of the World Fantasy Award. When asked the most common weakness in the submissions he receives, Scott says, “Most writers fail to convey character emotions in a powerful way.”

How do you convey a character’s emotion? You might just tell readers what the character is feeling (“He was afraid”), which can convey that information clearly but fail to make the emotion real and immediate. You might try an internal life sign (“His heart pounded”), which can be more immediate but often feels clichéd. Or you might try an external action (“His eyes widened”), but this can sometimes feel like overacting, or if we’re in the character’s point of view, it can feel like we’ve jumped to a point of view outside the character.

Scott will explain the most effective techniques to convey character emotions realistically and powerfully on the page, so that moment by moment, you can create an authentic and evocative experience. He’ll show you which techniques work best for point-of-view characters, and which work best for non-point-of-view characters. He’ll also discuss how to handle multiple emotions, conflicting emotions, and complex emotions, because that’s when stories get really interesting.

More than that, the course will cover strategies for developing situations and stories with strong potential for emotional resonance, and how to use character emotions to make every page a gripping read. You’ll dig deep into your own emotional reservoir to find that emotional truth that will give readers an authentic, powerful, involving experience.

“Scott has put together a treasure chest of ideas and exercises to help bridge the gap between ‘good’ and ‘great’ in speculative fiction. Although I feel that I’ve only scratched the surface of what it takes to excel in writing, Scott’s course has definitely helped me on my way. The subject matter is ambitious, but all the more valuable as a result. Overall, a very positive experience.”

—Derrick Boden

Riveting Descriptions: Bringing Your Story to Life in the Reader’s Mind
Course Meets: January 3 – 31, 2019
Instructor: Award-winnng author and editor Lucy A. Snyder
Level: Beginner to Intermediate
Application Deadline: December 5, 2018

For most writers, crafting strong, effective description is a major struggle. Some avoid description, fearing they’ll lose the reader’s attention, and instead they leave the reader lost in a vast, white nothingness. Some embrace description, drowning the reader in details so important ones are lost and unimportant ones create expectations that will never be fulfilled. Some use a hit or miss approach, throwing in a detail here or there and hoping they’ve magically made the right choices.

You don’t need to guess or struggle anymore. Award-winning fiction writer, poet, and editor Lucy A. Snyder will guide you through this critical and often-avoided subject. You’ll learn how to identify the key details that will immerse readers in your world, allow them to feel they know your characters, and put them in the middle of the action. Lucy will explain the qualities of strong description, how to know how much description is enough, which details to include, and where in the scene to include them. You’ll also learn how to use subtext so your description suggests deeper meanings, and how to write description with emotional impact.

More than that, this course will explore the role of point of view in description. How a character sees and describes his world can deepen personality, convey motivation, increase tension, and drive plot. Lucy will also discuss how to use poetic techniques in your description, and how to avoid common descriptive pitfalls. You’ll finish this course feeling much more assured about your description and knowing how to use description to make your story more impactful.

“After six weeks of hard work, I feel a bit reborn as a writer. Top notch workshop. Top notch instructor. No matter what our genre or what the level of our proficiency was beforehand, in just five weeks of hard work, all of us were much more skilled writers. I can’t recommend it highly enough.”

—Gigi Vernon

Getting the Big Picture: The Key to Revising Your Novel
Course Meets: January 2 – February 13, 2019
Instructor: Award-winning novelist Barbara Ashford
Level: Intermediate
Application Deadline: December 4, 2018

In response to many requests, we’re bringing back this course, one of our most highly rated. There are few things more difficult than revising a novel. You’ve worked on it for months, or years, and you’re so immersed in it you can’t step back and see the big picture. You might polish the draft and make minor changes, but you don’t really know what to change to turn that rough draft into a powerful, unified novel. And chances are, major changes are necessary. In this course, Barbara Ashford, one of our most popular instructors, will guide you in a deep examination of the “big picture” elements of your novel–premise, promise, theme, world, character, plot. Analyzing each of these building blocks and how well they are working together can give you new perspective on your novel, reveal weaknesses, and provide direction for major changes that will help you to maximize your novel’s potential.

Whether you’ve already completed your first draft, are still working on it, or are struggling with revisions, this course will provide invaluable insights into your novel through the lectures, assignments, and critiques. Barbara’s feedback on assignments has been widely praised for its depth and helpfulness.

Barbara’s course will be longer than the standard Odyssey online class, with four class meetings rather than our usual three, so you’ll be able to fully process and incorporate the important concepts discussed. If you’re participating in #NaNoWriMo, this course can show you the path from rough draft to completed novel.

“Getting the Big Picture helped me focus in on the true nature of my story, what lies at its heart. The class has given me the tools to improve both plot and characters and tie the two more strongly into the theme. These are the most useful class sessions I have ever attended.”

—Scott T. Barnes

If you’re willing to dedicate your time and energy to improve your writing, if you’re willing to hear about the weaknesses in your writing and work to improve them, then Odyssey Online is for you.


More information about Odyssey Online can be found at http://www.odysseyworkshop.org/online.html or by emailing jcavelos@odysseyworkshop.org.

In addition, the Odyssey site, http://www.odysseyworkshop.org, offers many resources for writers, including free podcasts, a monthly discussion salon, a blog, a critique service, coaching, consultations, and information about the six-week, in-person workshop.

Become the writer you’ve always known you could be!

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Special Announcement: George R.R. Martin Establishes Scholarship for Horror Writers

GeorgeMartinNew York Times bestselling author George R. R. Martin announces an exciting new Odyssey Writing Workshop scholarship to help a horror writer with financial need attend the acclaimed, six-week residential program. Martin explains, “Odyssey has become legendary for the challenges it sets for students and the enthusiasm with which they meet those challenges. And all that writing, learning, critiquing, and sweat yields great results. Among Odyssey’s alumni are New York Times bestsellers, Amazon bestsellers, and award winners.”

The Miskatonic Scholarship will be awarded each year to a promising new writer of Lovecraftian cosmic horror, a type of fiction Martin loves and wants to encourage. The scholarship will cover full tuition, textbook, and housing. Martin says, “It’s my hope that this new scholarship will offer an opportunity to a worthy applicant who might not otherwise have been able to afford the Odyssey experience.”

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George R.R. Martin with the Odyssey Class of 2004

A separate application is required to demonstrate financial need. A panel of three judges will select the winner from among the applicants who have demonstrated financial need, using the short story or novel excerpts sent with the workshop applications. Martin notes, “we are not looking for Lovecraft pastiches, nor even Cthulhu Mythos stories. References to Arkham, Azathoth, shoggoths, the Necronomicon, and the fungi from Yuggoth are by no means obligatory…though if some candidates choose to include them, that’s fine as well. What we want is the sort of originality that H. P. Lovecraft displayed in his day, something that goes beyond the tired tropes of werewolves, vampires and zombies, into places strange and terrifying and never seen before. What we want are nightmares new and resonant and profound, comic terrors that will haunt our dreams for years to come.”

Contact Odyssey Director Jeanne Cavelos (email jcavelos@odysseyworkshop.org ) for the Mistakonic application, which is due April 7.

Along with the new Mistakonic Scholarship, there are other financial assistance opportunities, scholarships, and one work/study position. For more information, visit www.odysseyworkshop.org/workshop.html.

Special Announcement: Writing Resources

OdboatThank you to all who have applied to the summer Odyssey Writing Workshop!  The deadline for the 2016 June-July Workshop has now passed. Applicants should receive word by May 1.

Writers, there is a variety of free writing resources available on the Odyssey Workshop site. Here are just a few:

–Salon (noun): 1. a place of business that specializes in beauty techniques and products  2. the room in a large house used for the reception and entertainment of guests 3. a gathering of writers, artists, and creative thinkers.

Director Jeanne Cavelos hosts an online writing salon every second Wednesday, from 7.30-8.30 Eastern time (the next one is this Wednesday, April 13). Check out more information, as well as the technical requirements, here, and make plans to join other writers and readers in an online discussion. No experience necessary other than a love for writing and a desire to discuss the craft.

–Manuscript Formatting: Do you need to know about spacing, indents, best fonts, and overall manuscript preparation? See the FAQs of manuscript presentation.

–Literary Agents: Go here for advice about starting your agent search.

Other free offerings: writing exercises and almost one hundred podcasts of authors’ and editors’ lectures from the Workshops, on a variety of subjects from plotting to worldbuilding to submitting and much more.

Stay tuned for notifications about online courses and webinars!

And above all–keep writing.

SPECIAL ANNOUNCEMENT: Summer Workshop Dates & Application Deadline

OdboatcleanedupDon’t let more time slip by.  Make 2016 the year that you take your writing to the next level!

The Odyssey Writing Workshop is one of the top programs in the world for writers of fantasy, science fiction, and horror.  Since its inception in 1996, the Odyssey Writing Workshop has become one of the most highly respected workshops for writers of fantasy, science fiction, and horror in the world.  The intensive, six-week workshop is held on the campus of Saint Anselm College in Manchester, NH, and combines writing, critiquing, in-depth feedback on students’ manuscripts, private conferences, and an advanced curriculum covering all the major elements of fiction writing.  Students commonly describe it as inspiring and transformative

Fifty-nine percent of graduates go on to professional publication, and among Odyssey graduates are best sellers and award winners.  Odyssey is for serious writers ready to give up their lives for six weeks and focus solely on their writing.  You’ll work harder than you ever have before and make friendships that will last a lifetime.

The 2016 Odyssey Summer Writing Workshop will take place June 6 through July 15.

Polish up those entrance stories! All applications must be received by April 8, 2016.

The workshop, directed by award-winning author and editor Jeanne Cavelos, combines an intensive, advanced curriculum with in-depth feedback on students’ manuscripts. 

 Top authors, editors and agents have served as guests at Odyssey, ready to lecture, workshop, and give feedback. This year’s guests:

2016 Writer-In-Residence

Mary KowalMary Robinette Kowal is the author of The Glamourist Histories series of fantasy novels. She has received the Campbell Award for Best New Writer, three Hugo awards, and the RT Reviews award for Best Fantasy Novel. Her work has been a finalist for the Hugo, Nebula, and Locus awards. Stories have appeared in Strange Horizons, Asimov’s, and several Year’s Best anthologies as well as in her collection Scenting the Dark and Other Stories from Subterranean. 

Mary, a professional puppeteer and voice actor, has performed for LazyTown (CBS), the Center for Puppetry Arts, Jim Henson Pictures, and founded Other Hand Productions. Her designs have garnered two UNIMA-USA Citations of Excellence, the highest award an American puppeteer can achieve. She also records fiction for authors such as Kage Baker, Cory Doctorow and John Scalzi. 

Mary lives in Chicago with her husband Rob and over a dozen manual typewriters. Visit maryrobinettekowal.com.

 

Guest Lecturers Continue reading “SPECIAL ANNOUNCEMENT: Summer Workshop Dates & Application Deadline”

Special Announcement: Final Odyssey Online Course Deadline +New Podcasts

OdboatThank you to all those who have registered for the winter online writing classes with Jeanne Cavelos and Barbara Ashford!

There is still time to register for “Point of View: The Intersection of Character and Plot,” taught by David B. Coe, author of The Thieftaker Chronicles (writing as D.B. Jackson), the LonTobyn Chronicle, a trilogy that was awarded the William L. Crawford Award for best new fantasy series, the Winds of the Forelands series, and the Blood of the Southlands trilogy.

Odyssey Online helps you to learn new techniques and build your skills, and provides in-depth feedback to guide you.  If you’re ready to hear about the weaknesses in your writing and ready to work to overcome them, you’d be welcome to apply.

Point of View: The Intersection of Character and Plot

Course Meets:  January 21 – February 18, 2016
Instructor:  David B. Coe
Application Deadline:  December 26, 2015
Level:  Beginner/Intermediate

Of all the many tools writers have at their disposal, perhaps none is more powerful, or more overlooked, than point of view. Often thought of simply as the perspective through which a story is told, it is actually far, far more.  It is the mechanism by which we guide our readers through the plot points, narrative arcs, and emotions of our fiction. It is the place where all of our storytelling elements–character, plot, setting, prose–come together. And point of view can also provide solutions to some of the most common problems encountered by aspiring writers and professionals alike. Award-winning author David B. Coe, highly praised mentor and teacher of fiction writing, will show how weaknesses in point of view can undermine an entire story.

We will begin our discussion of point of view by looking at the many factors that go into choosing the correct point of view character or characters for our stories, as well as the proper voice for those characters. We will then move to the study of how point of view influences not only character arc, but also our establishment of plotting, setting, and pacing. We’ll explore the challenges in writing from the point of view of non-human characters and characters from alien cultures. Finally we will conclude the course with an exploration of the ways in which POV can be used to address a host of common problems writers encounter in their work.


Resources abound at the Odyssey Workshop home! Visit the Odyssey Podcasts page for downloadable lectures on a whole variety of writing-related topics. Recent podcasts include:

  • “Making It Real” by E.C. Ambrose (#87 and #88), who discusses the importance of worldbuilding, setting, details, and POV.
  • “Productivity for Writers” by Alex Hughes (#85 and #86).  Alex Hughes shares how to prioritize writing and strategies for focusing on getting words on the page.  Alex will also be leading our first live webinar in February 2016. See the details and register here!
  • “Characterization” by Ellen Kushner and Delia Sherman (#83 and #84). Guest lecturers at the 2014 Summer Workshop, Ellen and Delia talked about writing characters with your own heart and insight, and creating in depth, complex characters.

Special Announcement: Upcoming Winter Online Classes + Webinar

Odboat

Start the new year by leveling up your writing skills! 

The Odyssey Writing Workshops Charitable Trust, widely known for its highly praised, six-week, in-person workshop, is offering three intensive online writing classes this winter, as well as Odyssey’s first webinar. 

Odyssey Online helps you to learn new techniques and build your skills, and provides in-depth feedback to guide you.  If you’re ready to hear about the weaknesses in your writing and ready to work to overcome them, you’d be welcome to apply.

The online classes being offered are:

  • Three-Act Structure in Fantastic Fiction, taught by Odyssey director and bestselling author Jeanne Cavelos;
  • Getting the Big Picture: The Key to Revising Your Novel, taught by award-winning author Barbara Ashford; and
  • Point of View: The Intersection of Character and Plot, taught by award-winning author David B. Coe.

Continue reading “Special Announcement: Upcoming Winter Online Classes + Webinar”

Special Announcement: World Fantasy Award Nominations for Jeanne Cavelos and Scott H. Andrews

We here at the Odyssey Blog and pretty much anyone ever associated with Odyssey Writing Workshops are ecstatic! Why?

Because Jeanne Cavelos, the founder and director of the Odyssey Writing Workshops, and Scott H. Andrews, Odyssey graduate and founder and editor of Beneath Ceaseless Skies Magazine, have each been nominated for World Fantasy Awards! The World Fantasy Convention and award ceremony will take place next month in Saratoga Springs, New York–and until then we’re all on the edge of our seats.

Without further ado, we Odfellows present a tribute to Jeanne and Scott.

Ode to Jeanne

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Jeanne Cavelos

Odyssey just concluded its 20th workshop, and its two decades of operation have spawned such writers as Carrie Vaughn, Theodora Goss, James Maxey, Alex Hughes, Rebecca Shelley, Lyn Benedict, Barbara Webb, Mike Grinti, J.A. White, Meagan Spooner, and David J. Schwartz, and editors such as Scott H. Andrews and Douglas Cohen–and many more, and more to come.

Jeanne Cavelos, nominated in the Special Award–Professional division for creating and running the Odyssey Writing Workshops, is one of the most humble, unassuming people I know–all the better to get her sneaky editor claws in you, because she has lived quite the varied life, and she brings all of her experience plus a critical eye toward editing, critiquing, and writing, whether she’s assessing her work or someone else’s. She’s an astrophysicist who worked for NASA, then was a senior editor at Bantam Doubleday Dell where she started an award-winning line of books, and now is a college professor who runs a full-service freelance company on the side. She is the author of several books, both fiction and nonfiction (The Science of the X-Files was nominated for a Bram Stoker Award), and has also edited an anthology. (She swears she has not cloned herself.)

But those are all the jobs she gets paid for.

I can say with all honesty that creating and running Odyssey is the jewel in Jeanne’s crown. I’ve gotten to know her a little over the last eight years and in that time I can’t say her enthusiasm for Odyssey has ever flagged. She works tirelessly to promote and host the annual six-week on-site summer Workshop, and even expanded Odyssey’s offerings to include online winter writing courses and themed free online salons.  There is always something to do and someone to see, and when an Odyssey workshop comes around, plots to fix and characters to revive.

Jeanne lives and breathes Odyssey, at great sacrifice to herself and others. She has made it her life’s work to educate amateur, up-and-coming science fiction, fantasy and horror writers, and introduce us to the world of writing and publishing. The caliber of instruction at Odyssey is always high because Jeanne sets the bar high and makes good on that promise, year after year. If something doesn’t work, she acknowledges it, fixes it, and does better.

In Odyssey, Jeanne has crafted an atmosphere that fosters collaboration and community over competition. Many graduates return year after year for TNEO (The Neverending Odyssey)–ten days of critiquing, story writing and all things science fiction–for more of that same community and support. Most of us stay in contact with each other, encouraging writerly habits.

Jeanne doesn’t do any of this for fame. She is always looking for better ways to serve amateur writers and give us the tools we need to become professional writers. She does it for the students, for all the people she sees who are writers. Whether Jeanne wins an award or not (but hint: we think she should), we thank her for everything that she does for us–and she should know we wouldn’t ask for a better evil overlord.

~Ronya F. McCool (Odyssey 2007) is the managing editor for the Odyssey Workshops Blog. She lives, works, writes and renovates in the Midwest and can sometimes be heard on the Libraryland podcast.~


A Toast to Scott upon the Event of his WFA Nomination

WFC2012-ScottA
Scott H. Andrews (photo courtesy of Al Bogdan)

My pal, drinking buddy and fellow 2005 Odfellow Scott H. Andrews is up for a World Fantasy Award! Permit me to briefly bask in the credit of his association and raise a glass of something frothy in his honor as I elucidate why it couldn’t have happened to a better editor.

Scott is a great, meticulous, thoughtful, perceptive, respectful editor. As far as I’m concerned, he’s like nobody else working in the field. If you’ve ever submitted to Beneath Ceaseless Skies, you know how routinely generous he is with his time. He provides actual feedback in practically every rejection. He asks for way more rewrites than is good for him. When he buys a story, all too often it’s because he helped the author make it better. This has certainly been the case with all five of the stories I’ve sold him. He’s made me a better writer.

As a reader, he has an uncanny ability to inhabit a character inhabiting a world that isn’t our own, to see that world through their eyes and feel what they feel. As an editor, that ability helps him keep me honest. Often it seems like he knows my world and my characters better than I do. I’m not saying I’ve never been frustrated working with him–I think every writer loves their own words too much for their own good–but he knows that as well as I do, and he’s always ready to work through it. And the story is better for it. He is the only editor I’ve worked with willing to go to those lengths. In fact, I’d argue no other short fiction editor in the field contributes as much has he does to making the stories they buy as good as they can be.

Contrary to what we’ve heard from different quarters over the past few years, short fiction is not dying. But neither does it pay an editor’s bills; novels do that. In an era when many top markets for short fiction act as loss-leaders for novel sales, BCS is an end in itself. The purview is narrow: character-driven, secondary world adventure fantasy. But that narrow focus allows Scott to be the best at what he does. And in doing so, he’s forged a legitimacy for that kind of fiction without which by now it might have faded away completely. When BCS came on the scene in 2008, Realms of Fantasy was the only professional-rate market dedicated to short fantasy, and it was in its death throes. Eight years later, thanks to Scott, BCS is the top market for fantasy.

I’m really proud of him for the nomination. In fact, I think it’s overdue. But if this year has taught us anything, it’s that there’s no accounting for awards politics. So by way of closing, let me just suggest that in the event he doesn’t win the award (and here let me express profound relief Scott and Jeanne aren’t in the same category), next time you run into him, you should really ask him to recap his acceptance speech.

Here’s to Scott and BCS!

 

~Michael J. DeLuca’s (Odyssey 2005) short fiction has appeared in Beneath Ceaseless Skies, Apex, Interfictions, Pseudopod and Clockwork Phoenix. He guest-edited Lady Churchill’s Rosebud Wristlet #33, an ecologically-themed issue that came out this July 2015. He narrates occasionally for the Beneath Ceaseless Skies fiction podcast, operates Weightless Books with Gavin J. Grant, and blogs at mossyskull.com.~