2019 Odyssey Writing Workshop Scholarship Opportunities

GEORGE R. R. MARTIN SCHOLARSHIP AND OTHER FINANCIAL AID FOR THOSE ATTENDING THE ODYSSEY WRITING WORKSHOP

The Odyssey Writing Workshop is an acclaimed, six-week program for writers of fantasy, science fiction, and horror held each summer in New Hampshire. Writers apply from all over the world; only fifteen are admitted. For those attending, Odyssey is pleased to announce that five scholarships and one work/study position are available.

GeorgeMartin*New York Times bestselling author George R. R. Martin is excited to once again offer a scholarship to help a horror writer with financial need attend Odyssey. Martin explains, “Odyssey has become legendary for the challenges it sets for students and the enthusiasm with which they meet those challenges. And all that writing, learning, critiquing, and sweat yields great results. Among Odyssey’s alumni are New York Times bestsellers, Amazon bestsellers, and award winners.”

The Miskatonic Scholarship is awarded each year to a promising writer of Lovecraftian cosmic horror, a type of fiction Martin loves and wants to encourage. The scholarship covers full tuition, textbook, and housing. Martin says, “It’s my hope that this new scholarship will offer an opportunity to a worthy applicant who might not otherwise have been able to afford the Odyssey experience.”

Last year’s scholarship winner, Valerie San Filippo, explains the impact of the Miskatonic Scholarship on her Odyssey experience: “I wouldn’t have been able to attend Odyssey if not for George R. R. Martin and the Miskatonic Scholarship. Odyssey and the scholarship made it possible for me to devote my mind and heart fully to my craft, to level up my writing, and to meet some of the most wonderful, talented people I’ve ever had the pleasure of knowing. I left the workshop motivated and professionally equipped to take on the writing world. To know that George supported my writing journey heartens me beyond belief. To any writer out there who wants to attend Odyssey but worries about the cost, I encourage you to apply for the Miskatonic Scholarship. It’s an incredible opportunity. I’m so glad I applied.”

Applicants must demonstrate financial need in a separate application. A panel of three judges will select the winner from among the applicants who have demonstrated financial need, using the writing samples sent with the workshop applications. Martin notes, “we are not looking for Lovecraft pastiches, nor even Cthulhu Mythos stories. References to Arkham, Azathoth, shoggoths, the Necronomicon, and the fungi from Yuggoth are by no means obligatory . . . though if some candidates choose to include them, that’s fine as well. What we want is the sort of originality that H. P. Lovecraft displayed in his day, something that goes beyond the tired tropes of werewolves, vampires and zombies, into places strange and terrifying and never seen before. What we want are nightmares new and resonant and profound, cosmic terrors that will haunt our dreams for years to come.” Contact Odyssey Director Jeanne Cavelos (email jcavelos@odysseyworkshop.org) for the Miskatonic application, which is due April 1.

*Bestselling author and Odyssey graduate Sara King is sponsoring the Parasite Publications Character Awards to provide financial assistance to three character-based writers wishing to attend this summer’s Odyssey. The Parasite Publications Character Awards, three scholarships in the amounts of $2,060 (full tuition), $500, and $300, will be awarded to the three members of the incoming class who are deemed extraordinarily strong character writers, creating powerful, emotional characters that grab the reader and don’t let go. No separate application is required.

*New this year, the Chris Kelworth Memorial Scholarship will be offered to a Canadian writer admitted to Odyssey. Chris, a 2013 Odyssey graduate, was an inspiration to many Odyssey alumni and a strong believer in creating systems and participating in events to increase his productivity, such as setting goals, attending workshops, and participating in NaNoWriMo. This scholarship, funded by alumni and friends of Chris, will cover $900 of tuition. A separate application is required and due April 1. Contact Odyssey Director Jeanne Cavelos (email jcavelos@odysseyworkshop.org) for the Chris Kelworth Memorial Scholarship application.

*One work/study position is also available. The work/study student spends about six hours per week performing duties for Odyssey, such as photocopying, sending stories to guests, distributing mail to students, and preparing for guest visits. Odyssey reimburses $800 of the work/study student’s tuition. The work/study student will be expected to fulfill the regular requirements of Odyssey in addition to these duties. Contact Odyssey Director Jeanne Cavelos (email jcavelos@odysseyworkshop.org) for the work/study application, which is due April 30.

About Odyssey

odysseyThe Odyssey Writing Workshops Charitable Trust is a 501(c)(3) nonprofit with the mission of helping promising writers of fantasy, science fiction, and horror improve their work. Odyssey’s six-week, intensive workshop, held each year since 1996, is widely considered one of the top programs for writers of the fantastic. Odyssey director Jeanne Cavelos is a former senior editor at Bantam Doubleday Dell, bestselling author, and winner of the World Fantasy Award. Top authors, agents, and editors serve as guest lecturers. Intensive instruction in advanced writing techniques, in-depth feedback on manuscripts, and one-on-one guidance help students to make major improvements. Graduates say they learned more in six weeks than in two years at a creative writing MFA program. Fifty-nine percent go on to professional publication.

This summer’s workshop, held on the campus of Saint Anselm College, runs from JUNE 3 to JULY 12, 2019. Class meets for over 4½ hours each day, 5 days a week, for workshopping and lectures. Students spend about 8 hours more per day writing and critiquing each other’s work.

The early action application deadline is JANUARY 31, and the regular application deadline is APRIL 1. All applicants receive feedback on their writing sample.

Odyssey is funded in part by donations from graduates, grantors and supporters, and in part by student tuition. Tuition is $2,060, and housing in campus apartments is $892 for a double room and $1,784 for a single.

In addition to the five scholarships and work/study position, other opportunities for financial assistance exist. 

Writers from the New York Metropolitan Area (including New Jersey) are eligible to apply for the Donald A. and Elsie B. Wollheim Memorial Scholarship, created by the New York Science Fiction Society–the Lunarians. The amount of the scholarship is variable.

Members of the Horror Writers Association are eligible for one or both of the scholarships they offer, each worth $2,500.

Since Odyssey is a member of the Association of Writers & Writing Programs, those accepted into Odyssey can apply for AWP’s three Kurt Brown Prizes, scholarships of $500 each.

For more information, visit http://www.odysseyworkshop.org/workshop.html. The Odyssey site offers many programs and resources for writers, including online classes, webinars, a critique service, consultations, coaching, free podcasts, author interviews, writing tips, and a monthly online discussion salon.

Special Announcement: 2019 Odyssey Online Classes

ODYSSEY ONLINE OFFERS LIVE, INTENSIVE, INTERACTIVE CLASSES THAT MAKE A MAJOR DIFFERENCE FOR WRITERS

“The class definitely blew away my expectations! It was fascinating, rigorous, and I had to work hard to keep up, which was exactly what I wanted. I would recommend Odyssey Online to anyone serious about improving their writing.”

—Andrew Alford

Since its founding in 1996, the Odyssey Writing Workshop has become one of the most highly respected and effective programs for writers of fantasy, science fiction, and horror in the world. In 2010, to further Odyssey’s nonprofit mission of helping developing writers of the fantastic, we adapted the techniques that are so effective at the in-person workshop to create online classes. We’ve worked very hard to ensure that our online classes are of the same caliber as our in-person workshop and that they deserve to carry the name of Odyssey.

In live class meetings, students learn specific, invaluable techniques, ask questions, and participate in discussions. Between meetings, they interact with each other and the instructor in a discussion group, complete demanding assignments, and give and receive in-depth feedback. Each student also has a one-on-one meeting with the instructor.

Odyssey Online offers only three online classes each year and admits only fourteen students per class, to keep quality high and ensure each student receives individual attention.

Application deadlines are in early December, and courses are held in January and February. While Odyssey’s nonprofit mission is to help writers of fantasy, science fiction, and horror, writers of any genre of fiction are welcome to apply. Courses will also cover issues relevant to writers of adult, young adult, and middle grade fiction.

Emotional Truth: Making Character Emotions Real, Powerful, and Immediate
Course Meets: January 10 – February 7, 2019
Instructor: Award-winning editor and publisher Scott H. Andrews
Level: Intermediate to Advanced
Application Deadline: December 12, 2018

Instructor Scott H. Andrews is the editor-in-chief and publisher of the fantasy magazine Beneath Ceaseless Skies, a six-time Hugo Award finalist and winner of the World Fantasy Award. When asked the most common weakness in the submissions he receives, Scott says, “Most writers fail to convey character emotions in a powerful way.”

How do you convey a character’s emotion? You might just tell readers what the character is feeling (“He was afraid”), which can convey that information clearly but fail to make the emotion real and immediate. You might try an internal life sign (“His heart pounded”), which can be more immediate but often feels clichéd. Or you might try an external action (“His eyes widened”), but this can sometimes feel like overacting, or if we’re in the character’s point of view, it can feel like we’ve jumped to a point of view outside the character.

Scott will explain the most effective techniques to convey character emotions realistically and powerfully on the page, so that moment by moment, you can create an authentic and evocative experience. He’ll show you which techniques work best for point-of-view characters, and which work best for non-point-of-view characters. He’ll also discuss how to handle multiple emotions, conflicting emotions, and complex emotions, because that’s when stories get really interesting.

More than that, the course will cover strategies for developing situations and stories with strong potential for emotional resonance, and how to use character emotions to make every page a gripping read. You’ll dig deep into your own emotional reservoir to find that emotional truth that will give readers an authentic, powerful, involving experience.

“Scott has put together a treasure chest of ideas and exercises to help bridge the gap between ‘good’ and ‘great’ in speculative fiction. Although I feel that I’ve only scratched the surface of what it takes to excel in writing, Scott’s course has definitely helped me on my way. The subject matter is ambitious, but all the more valuable as a result. Overall, a very positive experience.”

—Derrick Boden

Riveting Descriptions: Bringing Your Story to Life in the Reader’s Mind
Course Meets: January 3 – 31, 2019
Instructor: Award-winnng author and editor Lucy A. Snyder
Level: Beginner to Intermediate
Application Deadline: December 5, 2018

For most writers, crafting strong, effective description is a major struggle. Some avoid description, fearing they’ll lose the reader’s attention, and instead they leave the reader lost in a vast, white nothingness. Some embrace description, drowning the reader in details so important ones are lost and unimportant ones create expectations that will never be fulfilled. Some use a hit or miss approach, throwing in a detail here or there and hoping they’ve magically made the right choices.

You don’t need to guess or struggle anymore. Award-winning fiction writer, poet, and editor Lucy A. Snyder will guide you through this critical and often-avoided subject. You’ll learn how to identify the key details that will immerse readers in your world, allow them to feel they know your characters, and put them in the middle of the action. Lucy will explain the qualities of strong description, how to know how much description is enough, which details to include, and where in the scene to include them. You’ll also learn how to use subtext so your description suggests deeper meanings, and how to write description with emotional impact.

More than that, this course will explore the role of point of view in description. How a character sees and describes his world can deepen personality, convey motivation, increase tension, and drive plot. Lucy will also discuss how to use poetic techniques in your description, and how to avoid common descriptive pitfalls. You’ll finish this course feeling much more assured about your description and knowing how to use description to make your story more impactful.

“After six weeks of hard work, I feel a bit reborn as a writer. Top notch workshop. Top notch instructor. No matter what our genre or what the level of our proficiency was beforehand, in just five weeks of hard work, all of us were much more skilled writers. I can’t recommend it highly enough.”

—Gigi Vernon

Getting the Big Picture: The Key to Revising Your Novel
Course Meets: January 2 – February 13, 2019
Instructor: Award-winning novelist Barbara Ashford
Level: Intermediate
Application Deadline: December 4, 2018

In response to many requests, we’re bringing back this course, one of our most highly rated. There are few things more difficult than revising a novel. You’ve worked on it for months, or years, and you’re so immersed in it you can’t step back and see the big picture. You might polish the draft and make minor changes, but you don’t really know what to change to turn that rough draft into a powerful, unified novel. And chances are, major changes are necessary. In this course, Barbara Ashford, one of our most popular instructors, will guide you in a deep examination of the “big picture” elements of your novel–premise, promise, theme, world, character, plot. Analyzing each of these building blocks and how well they are working together can give you new perspective on your novel, reveal weaknesses, and provide direction for major changes that will help you to maximize your novel’s potential.

Whether you’ve already completed your first draft, are still working on it, or are struggling with revisions, this course will provide invaluable insights into your novel through the lectures, assignments, and critiques. Barbara’s feedback on assignments has been widely praised for its depth and helpfulness.

Barbara’s course will be longer than the standard Odyssey online class, with four class meetings rather than our usual three, so you’ll be able to fully process and incorporate the important concepts discussed. If you’re participating in #NaNoWriMo, this course can show you the path from rough draft to completed novel.

“Getting the Big Picture helped me focus in on the true nature of my story, what lies at its heart. The class has given me the tools to improve both plot and characters and tie the two more strongly into the theme. These are the most useful class sessions I have ever attended.”

—Scott T. Barnes

If you’re willing to dedicate your time and energy to improve your writing, if you’re willing to hear about the weaknesses in your writing and work to improve them, then Odyssey Online is for you.


More information about Odyssey Online can be found at http://www.odysseyworkshop.org/online.html or by emailing jcavelos@odysseyworkshop.org.

In addition, the Odyssey site, http://www.odysseyworkshop.org, offers many resources for writers, including free podcasts, a monthly discussion salon, a blog, a critique service, coaching, consultations, and information about the six-week, in-person workshop.

Become the writer you’ve always known you could be!

Special Announcement: George R.R. Martin Establishes Scholarship for Horror Writers

GeorgeMartinNew York Times bestselling author George R. R. Martin announces an exciting new Odyssey Writing Workshop scholarship to help a horror writer with financial need attend the acclaimed, six-week residential program. Martin explains, “Odyssey has become legendary for the challenges it sets for students and the enthusiasm with which they meet those challenges. And all that writing, learning, critiquing, and sweat yields great results. Among Odyssey’s alumni are New York Times bestsellers, Amazon bestsellers, and award winners.”

The Miskatonic Scholarship will be awarded each year to a promising new writer of Lovecraftian cosmic horror, a type of fiction Martin loves and wants to encourage. The scholarship will cover full tuition, textbook, and housing. Martin says, “It’s my hope that this new scholarship will offer an opportunity to a worthy applicant who might not otherwise have been able to afford the Odyssey experience.”

2004_Odgroup
George R.R. Martin with the Odyssey Class of 2004

A separate application is required to demonstrate financial need. A panel of three judges will select the winner from among the applicants who have demonstrated financial need, using the short story or novel excerpts sent with the workshop applications. Martin notes, “we are not looking for Lovecraft pastiches, nor even Cthulhu Mythos stories. References to Arkham, Azathoth, shoggoths, the Necronomicon, and the fungi from Yuggoth are by no means obligatory…though if some candidates choose to include them, that’s fine as well. What we want is the sort of originality that H. P. Lovecraft displayed in his day, something that goes beyond the tired tropes of werewolves, vampires and zombies, into places strange and terrifying and never seen before. What we want are nightmares new and resonant and profound, comic terrors that will haunt our dreams for years to come.”

Contact Odyssey Director Jeanne Cavelos (email jcavelos@odysseyworkshop.org ) for the Mistakonic application, which is due April 7.

Along with the new Mistakonic Scholarship, there are other financial assistance opportunities, scholarships, and one work/study position. For more information, visit www.odysseyworkshop.org/workshop.html.

Special Announcement: Writing Resources

OdboatThank you to all who have applied to the summer Odyssey Writing Workshop!  The deadline for the 2016 June-July Workshop has now passed. Applicants should receive word by May 1.

Writers, there is a variety of free writing resources available on the Odyssey Workshop site. Here are just a few:

–Salon (noun): 1. a place of business that specializes in beauty techniques and products  2. the room in a large house used for the reception and entertainment of guests 3. a gathering of writers, artists, and creative thinkers.

Director Jeanne Cavelos hosts an online writing salon every second Wednesday, from 7.30-8.30 Eastern time (the next one is this Wednesday, April 13). Check out more information, as well as the technical requirements, here, and make plans to join other writers and readers in an online discussion. No experience necessary other than a love for writing and a desire to discuss the craft.

–Manuscript Formatting: Do you need to know about spacing, indents, best fonts, and overall manuscript preparation? See the FAQs of manuscript presentation.

–Literary Agents: Go here for advice about starting your agent search.

Other free offerings: writing exercises and almost one hundred podcasts of authors’ and editors’ lectures from the Workshops, on a variety of subjects from plotting to worldbuilding to submitting and much more.

Stay tuned for notifications about online courses and webinars!

And above all–keep writing.

SPECIAL ANNOUNCEMENT: Summer Workshop Dates & Application Deadline

OdboatcleanedupDon’t let more time slip by.  Make 2016 the year that you take your writing to the next level!

The Odyssey Writing Workshop is one of the top programs in the world for writers of fantasy, science fiction, and horror.  Since its inception in 1996, the Odyssey Writing Workshop has become one of the most highly respected workshops for writers of fantasy, science fiction, and horror in the world.  The intensive, six-week workshop is held on the campus of Saint Anselm College in Manchester, NH, and combines writing, critiquing, in-depth feedback on students’ manuscripts, private conferences, and an advanced curriculum covering all the major elements of fiction writing.  Students commonly describe it as inspiring and transformative

Fifty-nine percent of graduates go on to professional publication, and among Odyssey graduates are best sellers and award winners.  Odyssey is for serious writers ready to give up their lives for six weeks and focus solely on their writing.  You’ll work harder than you ever have before and make friendships that will last a lifetime.

The 2016 Odyssey Summer Writing Workshop will take place June 6 through July 15.

Polish up those entrance stories! All applications must be received by April 8, 2016.

The workshop, directed by award-winning author and editor Jeanne Cavelos, combines an intensive, advanced curriculum with in-depth feedback on students’ manuscripts. 

 Top authors, editors and agents have served as guests at Odyssey, ready to lecture, workshop, and give feedback. This year’s guests:

2016 Writer-In-Residence

Mary KowalMary Robinette Kowal is the author of The Glamourist Histories series of fantasy novels. She has received the Campbell Award for Best New Writer, three Hugo awards, and the RT Reviews award for Best Fantasy Novel. Her work has been a finalist for the Hugo, Nebula, and Locus awards. Stories have appeared in Strange Horizons, Asimov’s, and several Year’s Best anthologies as well as in her collection Scenting the Dark and Other Stories from Subterranean. 

Mary, a professional puppeteer and voice actor, has performed for LazyTown (CBS), the Center for Puppetry Arts, Jim Henson Pictures, and founded Other Hand Productions. Her designs have garnered two UNIMA-USA Citations of Excellence, the highest award an American puppeteer can achieve. She also records fiction for authors such as Kage Baker, Cory Doctorow and John Scalzi. 

Mary lives in Chicago with her husband Rob and over a dozen manual typewriters. Visit maryrobinettekowal.com.

 

Guest Lecturers Continue reading “SPECIAL ANNOUNCEMENT: Summer Workshop Dates & Application Deadline”

Special Announcement: Final Odyssey Online Course Deadline +New Podcasts

OdboatThank you to all those who have registered for the winter online writing classes with Jeanne Cavelos and Barbara Ashford!

There is still time to register for “Point of View: The Intersection of Character and Plot,” taught by David B. Coe, author of The Thieftaker Chronicles (writing as D.B. Jackson), the LonTobyn Chronicle, a trilogy that was awarded the William L. Crawford Award for best new fantasy series, the Winds of the Forelands series, and the Blood of the Southlands trilogy.

Odyssey Online helps you to learn new techniques and build your skills, and provides in-depth feedback to guide you.  If you’re ready to hear about the weaknesses in your writing and ready to work to overcome them, you’d be welcome to apply.

Point of View: The Intersection of Character and Plot

Course Meets:  January 21 – February 18, 2016
Instructor:  David B. Coe
Application Deadline:  December 26, 2015
Level:  Beginner/Intermediate

Of all the many tools writers have at their disposal, perhaps none is more powerful, or more overlooked, than point of view. Often thought of simply as the perspective through which a story is told, it is actually far, far more.  It is the mechanism by which we guide our readers through the plot points, narrative arcs, and emotions of our fiction. It is the place where all of our storytelling elements–character, plot, setting, prose–come together. And point of view can also provide solutions to some of the most common problems encountered by aspiring writers and professionals alike. Award-winning author David B. Coe, highly praised mentor and teacher of fiction writing, will show how weaknesses in point of view can undermine an entire story.

We will begin our discussion of point of view by looking at the many factors that go into choosing the correct point of view character or characters for our stories, as well as the proper voice for those characters. We will then move to the study of how point of view influences not only character arc, but also our establishment of plotting, setting, and pacing. We’ll explore the challenges in writing from the point of view of non-human characters and characters from alien cultures. Finally we will conclude the course with an exploration of the ways in which POV can be used to address a host of common problems writers encounter in their work.


Resources abound at the Odyssey Workshop home! Visit the Odyssey Podcasts page for downloadable lectures on a whole variety of writing-related topics. Recent podcasts include:

  • “Making It Real” by E.C. Ambrose (#87 and #88), who discusses the importance of worldbuilding, setting, details, and POV.
  • “Productivity for Writers” by Alex Hughes (#85 and #86).  Alex Hughes shares how to prioritize writing and strategies for focusing on getting words on the page.  Alex will also be leading our first live webinar in February 2016. See the details and register here!
  • “Characterization” by Ellen Kushner and Delia Sherman (#83 and #84). Guest lecturers at the 2014 Summer Workshop, Ellen and Delia talked about writing characters with your own heart and insight, and creating in depth, complex characters.

Special Announcement: Upcoming Winter Online Classes + Webinar

Odboat

Start the new year by leveling up your writing skills! 

The Odyssey Writing Workshops Charitable Trust, widely known for its highly praised, six-week, in-person workshop, is offering three intensive online writing classes this winter, as well as Odyssey’s first webinar. 

Odyssey Online helps you to learn new techniques and build your skills, and provides in-depth feedback to guide you.  If you’re ready to hear about the weaknesses in your writing and ready to work to overcome them, you’d be welcome to apply.

The online classes being offered are:

  • Three-Act Structure in Fantastic Fiction, taught by Odyssey director and bestselling author Jeanne Cavelos;
  • Getting the Big Picture: The Key to Revising Your Novel, taught by award-winning author Barbara Ashford; and
  • Point of View: The Intersection of Character and Plot, taught by award-winning author David B. Coe.

Continue reading “Special Announcement: Upcoming Winter Online Classes + Webinar”