Dianna Sanchez is the not-so-secret identity of Jenise Aminoff, whose superpower is cooking with small children. She is an MIT alumna, graduate of the 1995 Clarion Workshop and Odyssey Online, active member of SCBWI, and a former editor of New Myths magazine (www.newmyths.com).
Aside from 18 years as a technical and science writer, she has taught science in Boston Public Schools, developed curricula for STEM education, and taught Preschool Chef, a cooking class for children ages 3-5. A Latina geek originally from Albuquerque, NM, she now resides near Boston, MA with her wonderfully geeky husband and two daughters.
Her debut novel is A WITCH’S KITCHEN, forthcoming from Dreaming Robot Press in September 2016.
Congratulations on the sale of your first novel, A Witch’s Kitchen, coming out from Dreaming Robot Press on September 25, 2016! How many stages did your novel go through before you sent it to the publisher? How much of your time was spent writing the first draft, and how much was spent in revising? What sort of revisions did you do on the novel?
Thanks! All told, A Witch’s Kitchen took me two years, three months to complete. I started it just before Thanksgiving 2013 and completed the first draft on March 25, 2014. Luckily, I had signed up for Odyssey Online’s Powerful Dialogue in Fantastic Fiction, intending to use it for a completely different project, so that helped a great deal. Even so, I knew it was nowhere near ready to send out. Continue reading “Interview: Odyssey Online Graduate and Author Jenise Aminoff”
Start the new year by leveling up your writing skills!
The Odyssey Writing Workshops Charitable Trust, widely known for its highly praised, six-week, in-person workshop, is offering three intensive online writing classes this winter, as well as Odyssey’s first webinar.
Odyssey Online helps you to learn new techniques and build your skills, and provides in-depth feedback to guide you. If you’re ready to hear about the weaknesses in your writing and ready to work to overcome them, you’d be welcome to apply.
The online classes being offered are:
- Three-Act Structure in Fantastic Fiction, taught by Odyssey director and bestselling author Jeanne Cavelos;
- Getting the Big Picture: The Key to Revising Your Novel, taught by award-winning author Barbara Ashford; and
- Point of View: The Intersection of Character and Plot, taught by award-winning author David B. Coe.
Continue reading “Special Announcement: Upcoming Winter Online Classes + Webinar”
**ODYSSEY WRITING WORKSHOPS ANNOUNCES INTENSIVE, LIVE, ONLINE CLASSES FOR WINTER 2015**
This winter, the Odyssey Writing Workshops Charitable Trust is offering three live online courses with the same high quality and rigorous approach as its acclaimed, in-person Odyssey workshop: Showing versus Telling in Fantastic Fiction, One Brick at a Time: Crafting Compelling Scenes, and Effective Endings in Speculative Fiction.
Since learning is an active process, all Odyssey Online courses involve live online class meetings, allowing students to ask questions and participate in discussions. Each course is designed to provide intensive focus on a particular aspect of fiction writing. Challenging homework assignments allow students to practice new techniques, while feedback from the instructor and from classmates helps students to make strong improvements. Each student also has an individual meeting with the instructor. Courses provide a supportive yet challenging, energizing atmosphere, with class size limited to fourteen students. While courses are designed for adult writers of fantasy, science fiction, and horror, interested writers of all genres are welcome to apply. Continue reading “Special Announcement: Online Classes for Winter 2015”
Since its inception in 1996, the Odyssey Writing Workshop has become one of the most highly respected programs for writers of fantasy, science fiction, and horror in the world. Through an advanced curriculum, intensive focus, directed study, and detailed feedback, students gain a much deeper understanding of the elements of fiction writing and make major improvements in their work.
To further our mission of helping developing writers of fantasy, science fiction, and horror, we have taken the techniques that are so effective at the workshop and adapted them to create online classes. We’ve worked very hard to ensure that our online classes are of the same quality and caliber as our in-person workshop and that they deserve to carry the name of Odyssey.
In this tradition, we are proud to announce our Winter 2014 online writing courses. Instructors Jeanne Cavelos, Barbara Ashford, and Nancy Holder will talk about ways to craft powerful dialogue, imbue emotional resonance into your story, and let you in on some secrets of storytelling.
Course Offerings for Winter 2014:
Powerful Dialogue in Fantastic Fiction
Course Meets: January 2 – January 30, 2014
Instructor: Jeanne Cavelos
Application Deadline: December 7, 2013
The Heart of the Matter: Bringing Emotional Resonance to Your Storytelling
Course Meets: January 6 – February 3, 2014
Instructor: Barbara Ashford
Application Deadline: December 10, 2013
The Secrets of a Satisfying Short Story
Course Meets: January 23 – February 20, 2014
Instructor: Nancy Holder
Application Deadline: December 27, 2013
For more information on class size, technology requirements, and details on how to apply, visit www.sff.net/odyssey/online.html.
Barbara Ashford will be a guest lecturer at this summer’s Odyssey Writing Workshop. She abandoned a career in educational administration to pursue a life in the theatre, working as an actress in summer stock and dinner theatre and later, as a lyricist and librettist. She’s written everything from cantatas to choral pieces, one-hour musicals for children to full-length ones for adults. Her musicals have been performed throughout the world, including such venues as the New York Musical Theatre Festival and the Edinburgh International Festival.
In 2000, after Barbara began writing fiction, she attended Odyssey. The workshop provided the supportive feedback and immersion in the craft of writing speculative fiction that she needed to create Heartwood, the first book of her Trickster’s Game trilogy (written as Barbara Campbell). Published by DAW Books, Trickster’s Game went on to become a finalist for the Mythopoeic Society’s 2010 Fantasy Award for adult literature.
Barbara returned to her theatre roots for her most recent novel, Spellcast, a contemporary fantasy set in a magical summer stock theatre in Vermont. She is currently at work on the sequel—Spellcrossed—to be published in June 2012.
Her short fiction has appeared in the anthologies After Hours: Tales from the Ur-Bar and The Modern Fae’s Guide to Surviving Humanity (March 2012). When she’s not writing, she critiques manuscripts for the Odyssey Critique Service.
Barbara lives in New Rochelle, New York, with her husband, whom she met while performing in the play Bedroom Farce. You can visit her dual selves at barbara-campbell.com and barbara-ashford.com.
How would you compare your pre-Odyssey writing to your post-Odyssey writing? What changed the most for you?
Continue reading “Interview: Barbara Ashford”
A lot of Barbara Ashford’s life ended up in the pages of her new fantasy novel Spellcast. Like Maggie Graham, she grew up in Wilmington, Delaware, began performing at an early age, and–after a series of jobs in educational administration–ran away to the theatre.
Barbara worked as an actress in summer stock and dinner theatre and later, as a lyricist and librettist. She’s written everything from cantatas to choral pieces, one-hour musicals for children to full-length ones for adults.
After several attempts at writing a novel, she attended the Odyssey Writing Workshop in 2000. It provided the supportive feedback and immersion in the craft of writing speculative fiction that she needed to create Heartwood, the first book of her Trickster’s Game trilogy. Published by DAW Books, Trickster’s Game went on to become a finalist for the Mythopoeic Society’s 2010 Fantasy Award for adult literature.
Spellcast is her first contemporary fantasy and is inspired by her years as an actress. You can visit Barbara at her websites: http://www.barbaraashford.com and at http://www.barbara-campbell.com .
Writers of speculative fiction rarely follow the old adage “write what you know.” We’re writing about worlds that exist in Rod Serling’s “middle ground between light and shadow, between science and superstition.” Continue reading “Graduate’s Corner: The Dangers of Writing What You Know by Barbara Ashford”