Odyssey graduate Scott H. Andrews will be a guest lecturer at this summer’s Odyssey Writing Workshop. Scott lives in Virginia with his wife, two cats, thirteen guitars, a dozen overflowing bookcases, and hundreds of beer bottles from all over the world. He writes, teaches college chemistry, and is Editor-in-Chief and Publisher of the seven-time Hugo Award finalist online fantasy magazine Beneath Ceaseless Skies.
Scott’s literary short fiction has won a $1,000 prize from the Briar Cliff Review, and his genre short fiction has appeared in Space & Time, Crossed Genres, and Ann VanderMeer’s Weird Tales.
He has lectured on short fiction, secondary-world fantasy, editing, magazine publishing, audio podcasting, beer, and heavy metal on dozens of convention panels at multiple Worldcons, World Fantasy Conventions, and regional conventions in the Northeast and Midwest, and he has taught fiction writing for Clarion West, The Cat Rambo Academy for Wayward Writers, Houston Writefest, and at Odyssey. He is a seven-time World Fantasy Award finalist and 2019 winner for his work at Beneath Ceaseless Skies, and he celebrates International Stout Day at least once a year.
You’re the editor-in-chief and publisher of Beneath Ceaseless Skies, a magazine for literary adventure fantasy. What do you look for in the stories you buy?
The major thing I love to see in all stories is “the human heart in conflict with itself,” which is a quote from Faulkner’s Nobel Prize acceptance speech. I want to see a character who is dealing with some sort of conflict, whether an external struggle like plot obstacles or an internal one like trying to overcome flaws or to grow in relationships, or ideally both external and internal. But the story also needs to make me FEEL something about that character who is in conflict. I get many stories, by writers who’ve been to workshops, that have a character in an interesting situation, but the writer isn’t executing the story such that the writing makes me feel what it means to be who that character is. For me it’s not enough just to see the character or focus on them; the story has to resonate off the page and make me feel for the character. Continue reading “Interview: Graduate & Guest Lecturer Scott H. Andrews”
Odyssey 2005 graduate Kate Marshall is the author of the young adult novels I Am Still Alive and Rules for Vanishing (Viking Children’s). Her science fiction and fantasy fiction has appeared in Beneath Ceaseless Skies, Crossed Genres, and elsewhere. She lives outside of Seattle with her husband, a dog named Vonnegut, and two small children. They all conspire to keep her on her toes.
Part 1 of this interview, posted last Sunday, is available here.
You used to read slush for Beneath Ceaseless Skies. What were some of the things you learned from reading all of those stories?
The main thing I learned was that there’s a whole lot of “fine” and even “good” writing out there, far more than there is “bad” (in the slush, at least). The competently written stories abounded, and at first it was very hard to turn those down. There was nothing wrong with them, after all. But eventually, I learned to recognize the gulf between competent writing and a great story. There wasn’t one thing that set every great story apart; it wasn’t that clear-cut. It might be a killer voice, a grab-you-by-the-throat opening, an ending that left you feeling downright emotionally wobbly. Every one of those stories had something that provoked a reaction, and studying the difference between the death scene that was merely competent and the one that felt like a knife to the gut helped me start to think about what the true core of my stories was.
I also learned just how true it was that rejections can mean more about the magazine or the editor than the story. Stories just didn’t quite fit with BCS for one reason or another—or I’d just read another, similar story that did the same thing, which made this one less fresh. And sometimes I made mistakes! Continue reading “Interview: Graduate Kate Marshall (Part 2 of 2)”
Scott lives in Virginia with his wife, two cats, nine guitars, a dozen overflowing bookcases, and hundreds of beer bottles from all over the world. He writes, teaches college chemistry, and is Editor-in-Chief and Publisher of the five-time Hugo Award finalist and World Fantasy Award-winning online fantasy magazine Beneath Ceaseless Skies.
Scott’s literary short fiction has won a $1000 prize from the Briar Cliff Review, and his genre short fiction has appeared in Space & Time, Crossed Genres, and Ann VanderMeer’s Weird Tales.
He has lectured on short fiction, secondary-world fantasy, editing, magazine publishing, audio podcasting, heavy metal, and beer on dozens of convention panels at multiple Worldcons, World Fantasy Conventions, and regional conventions in the Northeast and Midwest. He is a five-time finalist for the World Fantasy Award, and he celebrates International Stout Day at least once a year.
A magazine editor sometimes will reply to your submitted story not with a rejection or an acceptance but with a rewrite request. (That is, asking you for revisions or changes to the story. For example, moving the point where the story starts, or rewriting the ending. This is different from edits on punctuation or word choice; those are called line edits.) This means that the editor has issues with the story as written, but if you’re interested in revising the story in the direction they feel it needs to go, they’re interested in reading a rewritten version.
We here at the Odyssey Blog and pretty much anyone ever associated with Odyssey Writing Workshops are ecstatic! Why?
Because Jeanne Cavelos, the founder and director of the Odyssey Writing Workshops, and Scott H. Andrews, Odyssey graduate and founder and editor of Beneath Ceaseless Skies Magazine, have each been nominated for World Fantasy Awards! The World Fantasy Convention and award ceremony will take place next month in Saratoga Springs, New York–and until then we’re all on the edge of our seats.
Without further ado, we Odfellows present a tribute to Jeanne and Scott.
Ode to Jeanne
Odyssey just concluded its 20th workshop, and its two decades of operation have spawned such writers as Carrie Vaughn, Theodora Goss, James Maxey, Alex Hughes, Rebecca Shelley, Lyn Benedict, Barbara Webb, Mike Grinti, J.A. White, Meagan Spooner, and David J. Schwartz, and editors such as Scott H. Andrews and Douglas Cohen–and many more, and more to come.
Jeanne Cavelos, nominated in the Special Award–Professional division for creating and running the Odyssey Writing Workshops, is one of the most humble, unassuming people I know–all the better to get her sneaky editor claws in you, because she has lived quite the varied life, and she brings all of her experience plus a critical eye toward editing, critiquing, and writing, whether she’s assessing her work or someone else’s. She’s an astrophysicist who worked for NASA, then was a senior editor at Bantam Doubleday Dell where she started an award-winning line of books, and now is a college professor who runs a full-service freelance company on the side. She is the author of several books, both fiction and nonfiction (The Science of the X-Files was nominated for a Bram Stoker Award), and has also edited an anthology. (She swears she has not cloned herself.)
But those are all the jobs she gets paid for.
I can say with all honesty that creating and running Odyssey is the jewel in Jeanne’s crown. I’ve gotten to know her a little over the last eight years and in that time I can’t say her enthusiasm for Odyssey has ever flagged. She works tirelessly to promote and host the annual six-week on-site summer Workshop, and even expanded Odyssey’s offerings to include online winter writing courses and themed free online salons. There is always something to do and someone to see, and when an Odyssey workshop comes around, plots to fix and characters to revive.
Jeanne lives and breathes Odyssey, at great sacrifice to herself and others. She has made it her life’s work to educate amateur, up-and-coming science fiction, fantasy and horror writers, and introduce us to the world of writing and publishing. The caliber of instruction at Odyssey is always high because Jeanne sets the bar high and makes good on that promise, year after year. If something doesn’t work, she acknowledges it, fixes it, and does better.
In Odyssey, Jeanne has crafted an atmosphere that fosters collaboration and community over competition. Many graduates return year after year for TNEO (The Neverending Odyssey)–ten days of critiquing, story writing and all things science fiction–for more of that same community and support. Most of us stay in contact with each other, encouraging writerly habits.
Jeanne doesn’t do any of this for fame. She is always looking for better ways to serve amateur writers and give us the tools we need to become professional writers. She does it for the students, for all the people she sees who are writers. Whether Jeanne wins an award or not (but hint: we think she should), we thank her for everything that she does for us–and she should know we wouldn’t ask for a better evil overlord.
~Ronya F. McCool (Odyssey 2007) is the managing editor for the Odyssey Workshops Blog. She lives, works, writes and renovates in the Midwest and can sometimes be heard on the Libraryland podcast.~
A Toast to Scott upon the Event of his WFA Nomination
My pal, drinking buddy and fellow 2005 Odfellow Scott H. Andrews is up for a World Fantasy Award! Permit me to briefly bask in the credit of his association and raise a glass of something frothy in his honor as I elucidate why it couldn’t have happened to a better editor.
Scott is a great, meticulous, thoughtful, perceptive, respectful editor. As far as I’m concerned, he’s like nobody else working in the field. If you’ve ever submitted to Beneath Ceaseless Skies, you know how routinely generous he is with his time. He provides actual feedback in practically every rejection. He asks for way more rewrites than is good for him. When he buys a story, all too often it’s because he helped the author make it better. This has certainly been the case with all five of the stories I’ve sold him. He’s made me a better writer.
As a reader, he has an uncanny ability to inhabit a character inhabiting a world that isn’t our own, to see that world through their eyes and feel what they feel. As an editor, that ability helps him keep me honest. Often it seems like he knows my world and my characters better than I do. I’m not saying I’ve never been frustrated working with him–I think every writer loves their own words too much for their own good–but he knows that as well as I do, and he’s always ready to work through it. And the story is better for it. He is the only editor I’ve worked with willing to go to those lengths. In fact, I’d argue no other short fiction editor in the field contributes as much has he does to making the stories they buy as good as they can be.
Contrary to what we’ve heard from different quarters over the past few years, short fiction is not dying. But neither does it pay an editor’s bills; novels do that. In an era when many top markets for short fiction act as loss-leaders for novel sales, BCS is an end in itself. The purview is narrow: character-driven, secondary world adventure fantasy. But that narrow focus allows Scott to be the best at what he does. And in doing so, he’s forged a legitimacy for that kind of fiction without which by now it might have faded away completely. When BCS came on the scene in 2008, Realms of Fantasy was the only professional-rate market dedicated to short fantasy, and it was in its death throes. Eight years later, thanks to Scott, BCS is the top market for fantasy.
I’m really proud of him for the nomination. In fact, I think it’s overdue. But if this year has taught us anything, it’s that there’s no accounting for awards politics. So by way of closing, let me just suggest that in the event he doesn’t win the award (and here let me express profound relief Scott and Jeanne aren’t in the same category), next time you run into him, you should really ask him to recap his acceptance speech.
Here’s to Scott and BCS!
~Michael J. DeLuca’s (Odyssey 2005) short fiction has appeared in Beneath Ceaseless Skies, Apex, Interfictions, Pseudopod and Clockwork Phoenix. He guest-edited Lady Churchill’s Rosebud Wristlet #33, an ecologically-themed issue that came out this July 2015. He narrates occasionally for the Beneath Ceaseless Skies fiction podcast, operates Weightless Books with Gavin J. Grant, and blogs at mossyskull.com.~