Bestselling author Carrie Vaughn will be a guest lecturer at this summer’s Odyssey Workshop. Her latest novels include the post-apocalyptic murder mystery, Bannerless, winner of the Philip K. Dick Award, and its sequel, The Wild Dead. She wrote the New York Times bestselling series of novels about a werewolf named Kitty, along with several other contemporary fantasy and young adult novels, and upwards of 80 short stories, two of which have been finalists for the Hugo Award. She’s a contributor to the Wild Cards series of shared world superhero books edited by George R. R. Martin, and a graduate of the Odyssey Fantasy Writing Workshop. An Air Force brat, she survived her nomadic childhood and managed to put down roots in Boulder, Colorado. Visit her at www.carrievaughn.com.
You’re one of several authors who provide in-depth critiques for the Odyssey Critique Service. What are some of the common weaknesses you see in submissions?
Characters and plot that don’t hold together. How this plays out: What the story says about the characters is different from how they’re actually portrayed. Or they’re passive characters who don’t drive the action, who are merely observers or are acted upon. Plots where actions and scenes don’t follow logically and don’t build on one another—they don’t have that domino effect we’re looking for. In all these cases, the motivation and drive for the story are fuzzy, there’s no tension, and the reader isn’t engaged. Continue reading “Interview: Graduate & Guest Lecturer Carrie Vaughn”
Alaskan writer Sara King will be a guest lecturer at this summer’s Odyssey Writing Workshop. She is the bestselling author of The Legend of ZERO, Outer Bounds, Guardians of the First Realm, and her latest urban fantasy series, Sunny Day, Paranormal Badass, among others. She’s an alumna of the 2008 Odyssey Writing Workshop and has spent the last six years forging a successful career in independent publishing in the sci-fi and fantasy genres. To her chagrin, she is owned by four 120-plus-pound Tibetan Mastiffs, cautiously maintains a flock of ninja chickens, and has so many literary irons in the fire that she’s losing count. Thankfully, whenever she needs writing inspiration, she can step out her front door to go wandering in the Alaskan wilderness until she gets cold or almost dies—usually one or the other, but sometimes both—and then stumble home with fresh stories to tell and a new respect for falling, drowning, hypothermia, disorientation, and aggressive 1,500-pound wildlife.
Part 2 of this interview, posted last Sunday, is available here.
In a blog post from 2015, you mention burnout in writing. How can writers recognize burnout, and what do you think they can do about it so that they can continue writing or resume it in the future?
Uhm, well, this is a big ongoing problem for me. I think the biggest way to avoid burnout is to keep consuming good creative input. (Keyword “good.”) Unfortunately, that’s easy to say and less easy to do when your job requires you to be at your computer for vast portions of every day, so I’m guessing the easiest way to avoid burnout is to maintain a set schedule of consumption vs. production where you never output more than you input. But, because I’m a non-linear creative type who finds that impossible, I’ve just come to understand that burnout is inevitable and so maybe binge Game of Thrones, Sherlock, or Firefly to get back on track. Continue reading “Interview: Graduate & Guest Lecturer Sara King (Part 3 of 3)”