David G. Hartwell is an American editor of science fiction and fantasy. He has worked for Signet (1971-1973), Berkley Putnam (1973-1978), Pocket (where he founded the Timescape imprint, 1978-1983, and created the Pocket Books Star Trek publishing line), and Tor (where he spearheaded Tor’s Canadian publishing initiative, and was also influential in bringing many Australian writers to the US market, 1984-present), and has published numerous anthologies.
Each year he edits The Year’s Best Science Fiction (started in 1996 and co-edited with Kathryn Cramer since 2002) and The Year’s Best Fantasy (co-edited with Cramer since its first publication in 2001). Both anthologies have consistently placed in the top 10 of the Locus annual reader poll in the category of Best Anthology. In 1988, he won the World Fantasy Award in the category Best Anthology for The Dark Descent. He has been nominated for the Hugo Award in the category of Best Professional Editor and Best Editor Long Form on numerous occasions, and won in 2006, 2008 and 2009. He has also won the Eaton Award and the World Fantasy Award.
He edited the best-novel Nebula Award-winners Timescape by Gregory Benford (1980), The Claw of the Conciliator by Gene Wolfe (1981), and No Enemy But Time by Michael Bishop (1982), and the best-novel Hugo Award-winnerHominids by Robert J. Sawyer (2002).
Since 1995, his title at Tor/Forge Books has been “Senior Editor.” He chairs the board of directors of the World Fantasy Convention, is on the board of the International Association for the Fantastic in the Arts, and, with Gordon Van Gelder, is the administrator of the Philip K. Dick Award. He holds a Ph.D. in comparative medieval literature.
He lives in Pleasantville and Westport, New York with his wife Kathryn Cramer and their two children.
Tell us a little about your editing career. How did you start out and why do you continue to edit science fiction and fantasy? Continue reading “Interview: David G. Hartwell”
Scott H. Andrews lives in Virginia with his wife, two cats, nine guitars, a dozen overflowing bookcases, fifty board-feet of lumber, and hundreds of beer bottles from all over the world. He is a graduate of Odyssey 2005. His short fiction has appeared in Weird Tales and Space and Time, and he has been a Finalist in the Writers of the Future competition. He is also Editor-in-Chief of the pro-rate fantasy magazine Beneath Ceaseless Skies. His website is http://www.scotthandrews.com/.
Can you talk about your pre-Odyssey writing process? What kind of writing schedule, if any, did you keep?
Continue reading “Interview: Scott H. Andrews”
Ginjer Buchanan will be a guest lecturer at the Odyssey Writing Workshop this summer. Buchanan was born in Pittsburgh, PA. She earned a Sociology degree from Duquesne University, and a master’s in Social Work from the University of Pittsburgh. She was employed as a social worker in Pittsburgh for two years, and then moved to New York, spending 13 years working for a foster care and adoption agency. She eased into the publishing world in the ’70s by doing freelance work for various SF publishers, including a stint as consulting editor for the Star Trek novel line at Pocket Books. In 1984 she accepted a job as a full-time editor at the Berkeley Publishing Group (now part of Penguin USA). She has had several promotions over the years, the most recent in January of 2007, when she was made editor-in-chief of Ace and Roc, the SF/F imprints of Berkley and NAL. She acquires and edits mostly in those genres but also has several mystery, horror, historical fiction, and non-fiction pop culture writers on her list.
What are the most common problems in the manuscript submissions you receive?
Continue reading “Interview: Ginjer Buchanan”
Podcast #25 is now available for download here.
In their guest lecture at Odyssey 2008, Ellen Kushner and Delia Sherman discussed the many differences between writing a novel and writing a short story. In this podcast, Delia and Ellen explore how the opening of a novel differs from the opening of a short story. What must the beginning of a novel do, what can it do, and how much space does it have to do these things? Ellen and Delia list the elements that should usually be established in the opening chapter. They also explain that many novelists don’t know the right opening for their novel until they reach the end. Thus, it’s very important to keep pushing ahead, rather than to get bogged down rewriting the opening chapters. Ellen and Delia discuss the difficulties of getting through a first draft and offer valuable advice on how to make it to the end. They also explore some of the things that short stories can’t do and novels can.
Delia Sherman was born in Tokyo, Japan, and brought up in New York City. Continue reading “Podcast #25: Ellen Kushner and Delia Sherman”