Rebecca Kuang is a graduate of the 2016 Odyssey Writing Workshop. She studies Chinese history at Georgetown University. Her debut novel The Poppy War, the first in a trilogy, will be released from Harper Voyager in Spring 2018.
Richard James Errington attended the 2016 Odyssey Writing Workshop. He is an American/British writer born in Japan. He focuses on a variety of different genres and bounces between YA and adult fiction. He has written for an independent comic book publishing company where he published under six different title series. He has a completely unnecessary Honors BA in Creative Writing from the University of Leeds in the UK. He’s worked at banks, non-profit organizations, comic book publishers, media outlets, and had a brief stint as a postman which ended disastrously. Though he has sought them out, he has never seen any evidence of ghosts, which is leading him to believe that they may, in fact, not be real.
I’ve known for years that when you became serious about writing you considered workshops. I’d heard of Odyssey back when I was still a teenager while attending the ALPHA Science Fiction, Fantasy, and Horror Workshop. We had an Odyssey graduate as one of our guest lecturers. I’ll always remember how enthusiastic and excited she was about it. She recommended that we apply in the future if we wanted to keep on honing our craft as writers. Continue reading “Graduate Essay: Richard Errington, “Leveling Up””
Don’t let more time slip by. Make 2016 the year that you take your writing to the next level!
TheOdyssey Writing Workshopis one of the top programs in the world for writers of fantasy, science fiction, and horror. Since its inception in 1996, the Odyssey Writing Workshop has become one of the most highly respected workshops for writers of fantasy, science fiction, and horror in the world. The intensive, six-week workshop is held on the campus of Saint Anselm College in Manchester, NH, and combines writing, critiquing, in-depth feedback on students’ manuscripts, private conferences, and an advanced curriculum covering all the major elements of fiction writing. Students commonly describe it as inspiring and transformative.
Fifty-nine percent of graduates go on to professional publication, and among Odyssey graduates are best sellers and award winners. Odyssey is for serious writers ready to give up their lives for six weeks and focus solely on their writing. You’ll work harder than you ever have before and make friendships that will last a lifetime.
The 2016 Odyssey Summer Writing Workshop will take place June 6 through July 15.
Polish up those entrance stories! All applications must be received by April 8, 2016.
The workshop, directed by award-winning author and editor Jeanne Cavelos, combines an intensive, advanced curriculum with in-depth feedback on students’ manuscripts.
Top authors, editors and agents have served as guests at Odyssey, ready to lecture, workshop, and give feedback. This year’s guests:
Mary Robinette Kowalis the author of The Glamourist Histories series of fantasy novels. She has received the Campbell Award for Best New Writer, three Hugo awards, and the RT Reviews award for Best Fantasy Novel. Her work has been a finalist for the Hugo, Nebula, and Locus awards. Stories have appeared in Strange Horizons, Asimov’s, and several Year’s Best anthologies as well as in her collection Scenting the Dark and Other Stories from Subterranean.
Mary, a professional puppeteer and voice actor, has performed for LazyTown (CBS), the Center for Puppetry Arts, Jim Henson Pictures, and founded Other Hand Productions. Her designs have garnered two UNIMA-USA Citations of Excellence, the highest award an American puppeteer can achieve. She also records fiction for authors such as Kage Baker, Cory Doctorow and John Scalzi.
Start the new year by leveling up your writing skills!
The Odyssey Writing Workshops Charitable Trust, widely known for its highly praised, six-week, in-person workshop, is offering three intensive online writing classes this winter, as well as Odyssey’s first webinar.
Odyssey Online helps you to learn new techniques and build your skills, and provides in-depth feedback to guide you. If you’re ready to hear about the weaknesses in your writing and ready to work to overcome them, you’d be welcome to apply.
The online classes being offered are:
Three-Act Structure in Fantastic Fiction, taught by Odyssey director and bestselling author Jeanne Cavelos;
Getting the Big Picture: The Key to Revising Your Novel, taught by award-winning author Barbara Ashford; and
Point of View: The Intersection of Character and Plot, taught by award-winning author David B. Coe.
We here at the Odyssey Blog and pretty much anyone ever associated with Odyssey Writing Workshops are ecstatic! Why?
Because Jeanne Cavelos, the founder and director of the Odyssey Writing Workshops, and Scott H. Andrews, Odyssey graduate and founder and editor of Beneath Ceaseless Skies Magazine, have each been nominated for World Fantasy Awards! The World Fantasy Convention and award ceremony will take place next month in Saratoga Springs, New York–and until then we’re all on the edge of our seats.
Without further ado, we Odfellows present a tribute to Jeanne and Scott.
Ode to Jeanne
Odyssey just concluded its 20th workshop, and its two decades of operation have spawned such writers as Carrie Vaughn, Theodora Goss, James Maxey, Alex Hughes, Rebecca Shelley, Lyn Benedict, Barbara Webb, Mike Grinti, J.A. White, Meagan Spooner, and David J. Schwartz, and editors such as Scott H. Andrews and Douglas Cohen–and many more, and more to come.
Jeanne Cavelos, nominated in the Special Award–Professional division for creating and running the Odyssey Writing Workshops, is one of the most humble, unassuming people I know–all the better to get her sneaky editor claws in you, because she has lived quite the varied life, and she brings all of her experience plus a critical eye toward editing, critiquing, and writing, whether she’s assessing her work or someone else’s. She’s an astrophysicist who worked for NASA, then was a senior editor at Bantam Doubleday Dell where she started an award-winning line of books, and now is a college professor who runs a full-service freelance company on the side. She is the author of several books, both fiction and nonfiction (The Science of the X-Files was nominated for a Bram Stoker Award), and has also edited an anthology. (She swears she has not cloned herself.)
But those are all the jobs she gets paid for.
I can say with all honesty that creating and running Odyssey is the jewel in Jeanne’s crown. I’ve gotten to know her a little over the last eight years and in that time I can’t say her enthusiasm for Odyssey has ever flagged. She works tirelessly to promote and host the annual six-week on-site summer Workshop, and even expanded Odyssey’s offerings to include online winter writing courses and themed free online salons. There is always something to do and someone to see, and when an Odyssey workshop comes around, plots to fix and characters to revive.
Jeanne lives and breathes Odyssey, at great sacrifice to herself and others. She has made it her life’s work to educate amateur, up-and-coming science fiction, fantasy and horror writers, and introduce us to the world of writing and publishing. The caliber of instruction at Odyssey is always high because Jeanne sets the bar high and makes good on that promise, year after year. If something doesn’t work, she acknowledges it, fixes it, and does better.
In Odyssey, Jeanne has crafted an atmosphere that fosters collaboration and community over competition. Many graduates return year after year for TNEO (The Neverending Odyssey)–ten days of critiquing, story writing and all things science fiction–for more of that same community and support. Most of us stay in contact with each other, encouraging writerly habits.
Jeanne doesn’t do any of this for fame. She is always looking for better ways to serve amateur writers and give us the tools we need to become professional writers. She does it for the students, for all the people she sees who are writers. Whether Jeanne wins an award or not (but hint: we think she should), we thank her for everything that she does for us–and she should know we wouldn’t ask for a better evil overlord.
~Ronya F. McCool (Odyssey 2007) is the managing editor for the Odyssey Workshops Blog. She lives, works, writes and renovates in the Midwest and can sometimes be heard on the Libraryland podcast.~
A Toast to Scott upon the Event of his WFA Nomination
My pal, drinking buddy and fellow 2005 Odfellow Scott H. Andrews is up for a World Fantasy Award! Permit me to briefly bask in the credit of his association and raise a glass of something frothy in his honor as I elucidate why it couldn’t have happened to a better editor.
Scott is a great, meticulous, thoughtful, perceptive, respectful editor. As far as I’m concerned, he’s like nobody else working in the field. If you’ve ever submitted to Beneath Ceaseless Skies, you know how routinely generous he is with his time. He provides actual feedback in practically every rejection. He asks for way more rewrites than is good for him. When he buys a story, all too often it’s because he helped the author make it better. This has certainly been the case with all five of the stories I’ve sold him. He’s made me a better writer.
As a reader, he has an uncanny ability to inhabit a character inhabiting a world that isn’t our own, to see that world through their eyes and feel what they feel. As an editor, that ability helps him keep me honest. Often it seems like he knows my world and my characters better than I do. I’m not saying I’ve never been frustrated working with him–I think every writer loves their own words too much for their own good–but he knows that as well as I do, and he’s always ready to work through it. And the story is better for it. He is the only editor I’ve worked with willing to go to those lengths. In fact, I’d argue no other short fiction editor in the field contributes as much has he does to making the stories they buy as good as they can be.
Contrary to what we’ve heard from different quarters over the past few years, short fiction is not dying. But neither does it pay an editor’s bills; novels do that. In an era when many top markets for short fiction act as loss-leaders for novel sales, BCS is an end in itself. The purview is narrow: character-driven, secondary world adventure fantasy. But that narrow focus allows Scott to be the best at what he does. And in doing so, he’s forged a legitimacy for that kind of fiction without which by now it might have faded away completely. When BCS came on the scene in 2008, Realms of Fantasy was the only professional-rate market dedicated to short fantasy, and it was in its death throes. Eight years later, thanks to Scott, BCS is the top market for fantasy.
I’m really proud of him for the nomination. In fact, I think it’s overdue. But if this year has taught us anything, it’s that there’s no accounting for awards politics. So by way of closing, let me just suggest that in the event he doesn’t win the award (and here let me express profound relief Scott and Jeanne aren’t in the same category), next time you run into him, you should really ask him to recap his acceptance speech.
Here’s to Scott and BCS!
~Michael J. DeLuca’s (Odyssey 2005) short fiction has appeared in Beneath Ceaseless Skies, Apex, Interfictions, Pseudopod and Clockwork Phoenix. He guest-edited Lady Churchill’s Rosebud Wristlet #33, an ecologically-themed issue that came out this July 2015. He narrates occasionally for the Beneath Ceaseless Skies fiction podcast, operates Weightless Books with Gavin J. Grant, and blogs at mossyskull.com.~
B. Lynch is a YA/MG fantasy writer from New Jersey and a 2015 Odyssey Writing Workshop graduate. His latest book, King Callie, can be found on Amazon or Barnes and Noble.com; since his Odyssey classmates challenged him to become the Michael Bay of fantasy novels, he’s currently working on an MG manuscript involving goat-poop powered mechas and gratuitous amounts of explosions.
This winter, the Odyssey Writing Workshops Charitable Trust is offering three live online courses with the same high quality and rigorous approach as its acclaimed, in-person Odyssey workshop: Showing versus Telling in Fantastic Fiction, One Brick at a Time: Crafting Compelling Scenes, and Effective Endings in Speculative Fiction.
Since learning is an active process, all Odyssey Online courses involve live online class meetings, allowing students to ask questions and participate in discussions. Each course is designed to provide intensive focus on a particular aspect of fiction writing. Challenging homework assignments allow students to practice new techniques, while feedback from the instructor and from classmates helps students to make strong improvements. Each student also has an individual meeting with the instructor. Courses provide a supportive yet challenging, energizing atmosphere, with class size limited to fourteen students. While courses are designed for adult writers of fantasy, science fiction, and horror, interested writers of all genres are welcome to apply. Continue reading “Special Announcement: Online Classes for Winter 2015”