Literary agent Joshua Bilmes will be a guest lecturer at this summer’s Odyssey Workshop. He is the founder and president of JABberwocky Literary Agency, which will celebrate its 25th anniversary this fall. Prior to founding his own agency, he spent a chunk of his high school years writing monthly critiques of Analog magazine to its editor, Stan Schmidt. He spent summers in college doing freelance work at Baen Books; his letters to Analog caught the eye of Betsy Mitchell, who was lured from the #2 spot at Analog to be Jim Baen’s deputy. And ten weeks after graduating college, he was hired at the Scott Meredith Agency, which launched the careers of at least a half dozen leading agents in science fiction and fantasy.
Top JABberwocky clients include #1 bestselling authors Brandon Sanderson and Charlaine Harris. The agency’s other NY Times bestselling and/or award-winning clients include Peter V. Brett, Jack Campbell, Elizabeth Moon, Walter Jon Williams, Simon R. Green, Suzanne Palmer, Marie Brennan, and Daniel José Older.
Bilmes is known for his hands-on editorial work with his clients. In recent years, he’s been leading a quixotic charge against inappropriate use of smiles, shrugs, sighs, grimaces, nods, winces, blanching, quirking, eye-rolling, gritting of teeth, smirks, snorts and other “head and shoulders” gestures. For the avoidance of doubt, by “inappropriate” Bilmes means “almost all.”
Joshua Bilmes spends a good chunk of his spare time watching movies and watching tennis.
At this summer’s Odyssey Workshop, you’ll be interacting with students as a virtual guest lecturer via Skype. What do you think is the most important advice you can give to developing writers?
You have to be prepared to put in the “hard yards.” There are lots of authors and agents in the world, and some of them have paired up when the author put the perfect manuscript on the agent’s desk the agent’s very first day on the job. That hasn’t happened very often with me! Most of the first novels I’ve sold, they’re on a third or fifth or sometimes close to a tenth draft before they go out on submission. And then for all the work done on those earlier drafts, when the book is sold the editors still have more suggestions to make. An author should never be a weather vane, blowing every which way with each passing editorial comment, but you need to be prepared to work. Continue reading “Interview: Guest Lecturer Joshua Bilmes”