Interview: Guest Lecturer Melissa Scott

Award-winning author Melissa Scott will be a guest lecturer at this summer’s Odyssey Writing Workshop. Melissa was born and raised in Little Rock, Arkansas, and studied history at Harvard College. She earned her Ph.D. from Brandeis University in the comparative history program with a dissertation titled “The Victory of the Ancients: Tactics, Technology, and the Use of Classical Precedent.” She also sold her first novel, The Game Beyond, and quickly became a part-time graduate student and an—almost—full-time writer.

Over the next thirty years, she published more than thirty original novels and a handful of short stories, most with queer themes and characters, as well as authorized tie-in work for Star Trek: DS9, Star Trek: Voyager, Stargate SG-1, Stargate Atlantis, Star Wars Rebels, and Rooster Teeth’s anime series gen:LOCK. She won the John W. Campbell Award for Best New Writer in 1986, and won Lambda Literary Awards for Trouble and Her Friends, Shadow Man, Point of Dreams (with longtime partner and collaborator, the late Lisa A. Barnett), and Death By Silver, written with Amy Griswold. She has also been shortlisted for the Tiptree Award. She won Spectrum Awards for Death by Silver, Fairs’ Point, Shadow Man, and for the short story “The Rocky Side of the Sky.”

Lately, she has collaborated with Jo Graham on the Order of the Air, a series of occult adventure novels set in the 1930s (Lost Things, Steel Blues, Silver Bullet, Wind Raker, and Oath Bound) and with Amy Griswold on a pair of gay Victorian fantasies with murder, Death by Silver and A Death at the Dionysus Club. She has also continued the acclaimed Points series, fantasy mysteries set in the imaginary city of Astreiant, most recently with Point of Sighs. Her latest short story, “Sirens,” appeared in the collection Retellings of the Inland Seas, and her text-based game for Choice of Games, A Player’s Heart, came out in 2019. Her most recent solo novel, Finders, was published at the end of 2018, and she is currently at work on the next book in the sequence, Fallen.


Your first novel was published in 1984. What advice do you have for writers looking to achieve a long career?

I think for me the most important thing has been to stay active in and involved with the genre, as a reader and a fan as well as a writer. By staying involved as a fan, I mean making an effort to find new works that I can get fannish about, that spark of pure delight, that make you want to stay up all night reading or spend hours parsing all the details with your friends. It’s finding the next book that’s going to go on my “re-read every year” list. Without renewing that spark, there’s a danger of getting bored or falling out of step with the field. That’s not to say that you have to join every new trend—for example, I’m not very excited by YA as a writer, though I’ll happily read it; the singularity was a fascinating concept but did nothing for me as a storyteller—but it’s vital to know what’s happening and why. The genre is constantly evolving. To stay active, you have to evolve with it.

Continue reading “Interview: Guest Lecturer Melissa Scott”

Odyssey Podcasts #76 (Alex Jablokov) and #75 (Holly Black)

Jablokov Black podcastEvery month or two, the Odyssey Writing Workshop releases new podcasts created from excerpts from lectures given by guest writers, editors, and agents at the Odyssey Writing Workshop. Each one is ten to fifteen minutes long.

Our two newest podcasts feature authors and guest lecturers Alexander Jablokov (Brain Thief), from the 2014 summer workshop, and Holly Black (The Spiderwick Chronicles), from the 2013 summer workshop.  Alexander discusses how a character functions within a plot, and the many conventions authors use to present believable characters, while Holly explains how to create a magic system.

Other available podcasts include:

  • Carrie Vaughn: Goal-setting for writers (#38)
  • Lori Perkins: Agents, what they do, and what to look for in an agent (#37)
  • Sheila Williams: Qualities of short story openings (#74)
  • Nancy Holder: Short fiction and novel contracts; advances and royalties (#72 & #73)
  • Lane Robins: Outlining techniques (#64)
  • Craig Shaw Gardner: Writing humor in science fiction and fantasy (#18)
  • Melissa Scott: Worldbuilding techniques (#5 & #21)

These podcasts and many more are available for free on the OdboatcleanedupOdyssey Podcast page at http://www.sff.net/odyssey/podcasts.html.  Here you may browse and download podcasts, or subscribe to podcasts so you automatically receive them upon release.

Odyssey Podcasts can also be found in the iTunes store (for free): https://itunes.apple.com/podcast/odyssey-sf-f-writing-workshop/id213992784?mt=2.

Interview: Melissa Scott

Melissa ScottMelissa Scott will be a guest lecturer at the Odyssey Writing Workshop this summer. She is from Little Rock, Arkansas, and studied history at Harvard College and Brandeis University, where she earned her Ph.D. in the comparative history program with a dissertation titled “The Victory of the Ancients: Tactics, Technology, and the Use of Classical Precedent.” In 1986, she won the John W. Campbell Award for Best New Writer, and in 2001 she and her late partner and long-time collaborator Lisa A. Barnett won the Lambda Literary Award in SF/Fantasy/Horror for Point of Dreams. Scott has also won Lammies in 1996 for Shadow Man and 1995 for Trouble and Her Friends, having previously been a three-time finalist (for Mighty Good Road, Dreamships, and Burning Bright). Trouble and Her Friends was also shortlisted for the Tiptree. Her most recent solo novel, The Jazz, was named to Locus’s Recommended Reading List for 2000. Her first work of nonfiction, Conceiving the Heavens: Creating the Science Fiction Novel, was published by Heinemann in 1997, and her monologue, “At RaeDean’s Funeral,” has been included in an off-off-Broadway production, Elvis Dreams, as well as several other evenings of Elvis-mania. A second monologue, “Job Hunting,” has been performed in competition and as a part of an evening of Monologues from the Road. Her most recent publications are the short stories “One Horse Town” (in Haunted Hearths, Lethe Press) and “Mister Seeley” (in So Fey, Haworth Press).

Once you started writing seriously, how long did it take you to sell your first piece? What were you doing wrong in your writing in those early days?

Continue reading “Interview: Melissa Scott”