Holly Black will be a guest lecturer at this summer’s Odyssey Workshop. She is the author of bestselling contemporary fantasy books for kids and teens. Some of her titles include The Spiderwick Chronicles (with Tony DiTerlizzi), The Modern Faerie Tale series, the Curse Workers series, Doll Bones, The Coldest Girl in Coldtown, the Magisterium series (with Cassandra Clare), The Darkest Part of the Forest, The Cruel Prince, and The Wicked King. She has been a finalist for an Eisner Award and the recipient of the Andre Norton Award, the Mythopoeic Award, and a Newbery Honor. She currently lives in New England with her husband and son in a house with a secret door.
As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?
Award-winning author Fran Wilde will be a guest lecturer at this summer’s Odyssey Writing Workshop. Her novels and short stories have been finalists for three Nebula awards, two Hugo Awards, and a World Fantasy Award. They include her Andre Norton- and Compton Crook-winning debut novel, Updraft (Tor, 2015); its sequels, Cloudbound (2016) and Horizon (2017); the middle-grade novel Riverland (Abrams, 2019); and the novelette “The Jewel and Her Lapidary” (Tor.com, 2016). Her short stories appear in Asimov’s, Tor.com, Beneath Ceaseless Skies, Shimmer, Nature, and the 2017 Year’s Best Dark Fantasy and Horror. She writes for publications such as The Washington Post, Tor.com, Clarkesworld, io9.com, and GeekMom.com. She holds an MFA in poetry and an MA in information architecture and interaction design. You can find her on Twitter, Facebook, and at franwilde.net.
Once you started writing seriously, how long did it take you to sell your first piece? What were you doing wrong in your writing in those early days?
For me, writing seriously began when I started finishing stories. I’d always written. But I often didn’t complete the story drafts because something didn’t “feel” right or sound good enough. So of course because I didn’t finish a story, I had nothing to revise! Which made it really hard to sell things. Once I started finishing stories—writing them to completion, setting them aside for a few days, and then coming back and working on revision before deciding that they weren’t what I wanted—I started selling. Continue reading “Interview: Guest Lecturer Fran Wilde”