Author Alexander Jablokov, who will be a guest lecturer at this summer’s Odyssey workshop, writes science fiction for readers who won’t give up literate writing or vivid characters to get the thrills they demand. He is a natural transition for non-SF readers interested in taking a stroll with a dangerous AI or a neurosurgeon/jazz musician turned detective, while still giving hardcore SF fans speculative flash, incomprehensible aliens, and kitchen appliances with insect wing cases. From his well-regarded first novel, Carve the Sky, an interplanetary espionage novel set in a culturally complex 25th century, through the obscenely articulate dolphins with military modifications of a Deeper Sea, the hardboiled post-cyberpunk of Nimbus, the subterranean Martian repression of River of Dust, and the perverse space opera of Deepdrive, his last book was Brain Thief, a contemporary high-tech thriller with a class clown attitude. He has recently written a YA alternate universe adventure novel.
His day job is as a marketing manager. He does his writing during the mornings, and on weekends. It took him several years to figure out how to get any writing done at all, particularly since he hates getting up early and hates working on weekends, but has somehow managed it. Visit www.ajablokov.com to learn more about the author and his books.
On your blog you say that, “writing is rewriting.” How do you maintain excitement for that original idea as you work through various drafts?
Sometimes I don’t and have to let it rest for a while. But I consider the first draft as something akin to ore. Smelting and refinement are the next steps. Now, that’s just me—my initial drafts are tangled, full of blind alleys, notes to myself, and repeated sentences where I try to get something right. I’ve learned that attempting to revise while I write stops me dead. That kind of revision can be like cleaning your desk or doing your laundry—a useful task that has wandered into the wrong place. Continue reading “Interview: Guest Lecturer Alexander Jablokov”
N. K. Jemisin is a Brooklyn author who will be a guest lecturer at this summer’s Odyssey Writing Workshop in Manchester, N.H. Her short fiction and novels have been multiply nominated for the Hugo and the Nebula, shortlisted for the Crawford and the Tiptree, and have won the Locus Award for Best First Novel. Her speculative works range from fantasy to science fiction to the undefinable; her themes include resistance to oppression, the inseverability of the liminal, and the coolness of Stuff Blowing Up.
She is a member of the Altered Fluid writing group, a graduate of the Viable Paradise writing workshop, and she has been an instructor for the Clarion workshops. In her spare time she is a biker, an adventurer, a gamer, and a counseling psychologist; she is also single-handedly responsible for saving the world from KING OZZYMANDIAS, her obnoxious ginger cat. Her essays, media reviews, and fiction excerpts are available at nkjemisin.com.
Her newest novel, The Fifth Season, came out in August, 2015.
From the time you started writing to the time you started writing seriously, how long did it take you to sell your first piece (defined here as short story)? What do you think you were doing wrong in your writing in those early days?
I sold my first short story probably 1-2 years after I seriously started trying to get published in that area. I got serious basically around the age of 30. Unfortunately, I couldn’t afford to go to Odyssey, but I did end up doing a one-week workshop, which was Viable Paradise, but after that I joined a writing group, and our writing group kind of made up the difference there. So that’s how I got a lot of experience and skill writing short stories–having the group tear them apart and then submitting them. The group got me in the habit of submitting stories, and submitting and submitting and submitting until submission was part of being a writer in my head—and rejections were also part of being a writer in my head. So I’d say it took a year to a year and a half, maybe.
As for what I was doing wrong, Continue reading “Interview: Guest lecturer N.K. Jemisin (Part One of Two)”
Podcast #25 is now available for download here.
In their guest lecture at Odyssey 2008, Ellen Kushner and Delia Sherman discussed the many differences between writing a novel and writing a short story. In this podcast, Delia and Ellen explore how the opening of a novel differs from the opening of a short story. What must the beginning of a novel do, what can it do, and how much space does it have to do these things? Ellen and Delia list the elements that should usually be established in the opening chapter. They also explain that many novelists don’t know the right opening for their novel until they reach the end. Thus, it’s very important to keep pushing ahead, rather than to get bogged down rewriting the opening chapters. Ellen and Delia discuss the difficulties of getting through a first draft and offer valuable advice on how to make it to the end. They also explore some of the things that short stories can’t do and novels can.
Delia Sherman was born in Tokyo, Japan, and brought up in New York City. Continue reading “Podcast #25: Ellen Kushner and Delia Sherman”