Interview: Graduate Kate Marshall (Part 1 of 2)

Odyssey 2005 graduate Kate Marshall is the author of the young adult novels I Am Still Alive and Rules for Vanishing (Viking Children’s). Her science fiction and fantasy fiction has appeared in Beneath Ceaseless Skies, Crossed Genres, and elsewhere. She lives outside of Seattle with her husband, a dog named Vonnegut, and two small children. They all conspire to keep her on her toes.

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You graduated from the Odyssey Writing Workshop in 2005. What made you decide to attend the workshop? 

I’m one of those writers who never wanted to do anything else. I declared that I was going to be a novelist when I was four (though there was a brief period when I was going to be a marine biologist, as my mother had informed me this was how one got to have a pet otter). I started submitting stories for publication when I was twelve (without success) and read every book on writing I could get my hands on. When I found out about Odyssey in my junior year of high school, it was a bit like finding out that Narnia was real. A place to go and write and learn about writing and talk about writing and be taken seriously? I had a good dose of that teenage sense of invincibility and destiny, so I was sure I would get in. Of course, I also had an equal dose of crippling self-doubt (endemic to writers and teenagers both, I suppose) and so I had to have someone else read the acceptance email to make sure it really said I could go.

I didn’t decide to attend Odyssey so much as I never considered the possibility that I might not attend. Occasionally it’s useful to channel your inner teenager!

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Interview: Graduate Travis Heermann (Part 1 of 2)

Freelance writer, novelist, award-winning screenwriter, editor, poker player, poet, biker, and roustabout Travis Heermann is a 2009 graduate of the Odyssey Writing Workshop. He is the author of The Ronin Trilogy, Rogues of the Black Fury, and co-author of Death Wind, and has had short fiction pieces published in anthologies and magazines such as Apex Magazine, Alembical, the Fiction River anthology series, Historical Lovecraft, and Cemetery Dance’s Shivers VII. As a freelance writer, he has produced a metric ton of role-playing game work both in print and online, including the Firefly Roleplaying Game, Battletech, Legend of Five Rings, d20 System, and the MMORPG, EVE Online.

He has a Bachelor of Science in Engineering, a Master of Arts in English, and teaches science fiction literature at the University of Nebraska Omaha. He enjoys cycling, martial arts, torturing young minds with otherworldly ideas, and monsters of every flavor, especially those with a soft, creamy center. He has three long-cherished dreams: a produced screenplay, a NYT bestseller, and a seat in the World Series of Poker.

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Your latest novel, The Hammer Falls, was funded on Kickstarter in only twelve hours. Congratulations on both a successful Kickstarter and on the release of a new novel! You wrote a post in 2016 for the Odyssey blog on running a Kickstarter. Would you share some tips for getting the word out about Kickstarters? How did you encourage people to participate?

The key is stoking up your friends, family, and fans. 90% of this campaign’s backers were friends, family, fans, and repeat business people who had supported my Kickstarters in the past. And then you have to ask. For many of us, that’s the hardest part.

“Don’t Lose Sight of the Big Picture” by Barbara Ashford

Barbara Ashford is the award-winning author of six novels published by DAW Books. She is also a developmental editor and teacher. Her online course “Getting the Big Picture: The Key to Revising your Novel” will be offered in January-February 2019 through the Odyssey Writing Workshop, application deadline December 4.

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When I began revising my first novel, I believed my story had good conflict, complex characters, and a world that was pretty cool. Okay, the plot was a bit of a scavenger hunt. And the novel was way too long. But trimming and refining was what revising was all about, right?

Well…that depends on your interpretation of “refining.” I ended up rewriting two-thirds of the novel and cutting 80,000 words from the final manuscript. But my biggest revelation occurred early in revisions: while my protagonist was blazing a trail through a magical forest, I realized that I had lost sight of the forest for the trees. What was this story about?