2005 Odyssey Writing Workshop graduate Jason S. Ridler is a writer, improv actor, and left-wing military historian. His novels include Hex-Rated, the first installment of the Brimstone Files series for Night Shade Books; Rise of the Luchador; and Death Match. He’s also published over sixty stories and numerous academic publications. FXXK WRITING! A Guide for Frustrated Artists collects the best of his column of the same name, and his next historical work, Mavericks of War, is forthcoming from Stackpole Books. A former punk rock musician and cemetery groundskeeper, Mr. Ridler holds a Ph.D. in War Studies from the Royal Military College of Canada. He lives in Berkeley, CA and is a Teaching Fellow for Johns Hopkins University.
Part 1 of this interview, posted last Sunday, is available here.
Your latest novel, Hex-Rated, is about a PI investigating supernatural happenings in the 1970s Hollywood porn industry. As a historian, what drew you to writing about the 1970s and the porn industry? How did you handle mashing multiple genres together?
The 1970s, especially the early 70s, are about dreams and hopes dying and being reborn (a theme in my own work and life). It’s the end of the Love Generation and the birth of the Manson murders, of peace movements helping end Vietnam and the return of soldiers with PTSD, of drugs eating through the hearts and minds of people as much as expanding their consciousness. Heavy metal and proto-punk is screaming at the sincerity of the folk-rock and Woodstock crew. It’s the shifting sands of violence in the civil rights movement as desegregation takes hold and black nationalism refuses to bow to white power and privilege and searches for alternatives to the power structures that abide. And it’s the emergence of the modern adult film industry. Continue reading “Interview: Graduate Jason S. Ridler (Part 2 of 2)”
Award-winning author and Odyssey graduate Theodora Goss will be a guest lecturer at this summer’s Odyssey Writing Workshop. She was born in Hungary and spent her childhood in various European countries before her family moved to the United States. Although she grew up on the classics of English literature, her writing has been influenced by an Eastern European literary tradition in which the boundaries between realism and the fantastic are often ambiguous. Her publications include the short story collection In the Forest of Forgetting (2006); Interfictions (2007), a short story anthology coedited with Delia Sherman; Voices from Fairyland (2008), a poetry anthology with critical essays and a selection of her own poems; The Thorn and the Blossom (2012), a novella in a two-sided accordion format; the poetry collection Songs for Ophelia (2014); and her debut novel The Strange Case of the Alchemist’s Daughter (2017). Her work has been translated into twelve languages. She has been a finalist for the Nebula, Crawford, Locus, Seiun, and Mythopoeic Awards, and on the Tiptree Award Honor List. Her poems “Octavia is Lost in the Hall of Masks” (2003) and “Rose Child” (2016) won the Rhysling Award, and her short story “Singing of Mount Abora” (2007) won the World Fantasy Award. Her next novel, European Travel for the Monstrous Gentlewoman, will be published in 2018 by Saga Press.
As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?
There are all sorts of things students can learn from teachers and workshops, but in the end, the most important advice I can give them is that at some point, they’ll need to stop listening to other people, or perhaps listen very selectively. Not anytime soon—there’s still plenty to learn. But they’ll get to a point where they’ll need to start selecting, or perhaps creating, their own paths, making their own decisions about what they want to write and how. They’ll decide when to break what they’ve been taught are the rules, or when to throw aside the entire rulebook. They’ll see other writers doing things they’ve never seen before, and they’ll say, “Yes, I want to do something like that, but in my own way.” And that will be wonderful. In the end, every writer is different—we all have our own stories, we all decide how to tell them, and none of us have exactly the same careers. Continue reading “Interview: Graduate & Guest Lecturer Theodora Goss”
Holly Schofield travels through time at the rate of one second per second, oscillating between the alternate realities of city and country life. She is the author of over fifty short stories, some of which are used in university curricula and have been translated into several languages. Her works have appeared in Lightspeed, Tesseracts, the Aurora-winning Second Contacts, and many other publications throughout the world. She hopes to save the world through science fiction and homegrown heritage tomatoes. Watch for new stories soon in Brave New Girls, The Young Explorer’s Adventure Guide, and Analog. For more of her work, visit hollyschofield.wordpress.com.
You attended the Odyssey Writing Workshop in 2014. How do you feel your writing and writing process changed as a result of having attended Odyssey? What insights did you gain into your own work?
In 2014, I was struggling to piece together a “toolbox” of craft skills. I could see that writing SFF short stories (I’m not a novel writer) involved a very large amount of very small techniques, but I only had the vaguest idea of what those techniques were and how to apply them.
Jeanne’s curriculum is designed to cover everything. I filled in gaps that I hadn’t even known existed. Continue reading “Interview: Graduate Holly Schofield”
Scott T. Barnes is the winner of the Writers of the Future Award and a graduate of Odyssey. His short fiction has appeared in numerous venues, including the anthologies Gaia: Shadow and Breath Vol. 3, History and Horror, Oh My! and Kevin J. Anderson’s Pulse Pounders II. He is also the author of Rancho San Felipe: A Story of California One Hundred Years Ago, an illustrated fourth-grade reader. He edits the online magazine NewMyths.com. His complete bibliography can be found at www.scotttbarnes.com.
You attended the Odyssey Writing Workshop in 2008. What made you decide to attend Odyssey? You also took two of the online Odyssey Workshop courses. What made you decide to take them?
Well, I didn’t get into Odyssey the first time that I applied in 2007, and so I applied a second time… Continue reading “Interview: Graduate Scott T. Barnes”
Rebecca Kuang is a graduate of the 2016 Odyssey Writing Workshop. She studies Chinese history at Georgetown University. Her debut novel The Poppy War, the first in a trilogy, will be released from Harper Voyager in Spring 2018.
I came to Odyssey on the verge of a horrible case of writer’s block. I had just sold my first novel. I was now under contract to write two more. I had to finish a 200,000-word project in a little over a year. I’d been trying for weeks to tackle it. I couldn’t write a word. Continue reading “Graduate Essay: Rebecca Kuang, “Changing Everything””
Richard James Errington attended the 2016 Odyssey Writing Workshop. He is an American/British writer born in Japan. He focuses on a variety of different genres and bounces between YA and adult fiction. He has written for an independent comic book publishing company where he published under six different title series. He has a completely unnecessary Honors BA in Creative Writing from the University of Leeds in the UK. He’s worked at banks, non-profit organizations, comic book publishers, media outlets, and had a brief stint as a postman which ended disastrously. Though he has sought them out, he has never seen any evidence of ghosts, which is leading him to believe that they may, in fact, not be real.
I’ve known for years that when you became serious about writing you considered workshops. I’d heard of Odyssey back when I was still a teenager while attending the ALPHA Science Fiction, Fantasy, and Horror Workshop. We had an Odyssey graduate as one of our guest lecturers. I’ll always remember how enthusiastic and excited she was about it. She recommended that we apply in the future if we wanted to keep on honing our craft as writers. Continue reading “Graduate Essay: Richard Errington, “Leveling Up””