Larry Hodges is a science fiction and fantasy writer, as well as a table tennis coach. (Yes, that’s a strange combination.) Larry is a graduate of the 2006 Odyssey Writing Workshop, the 2007 Orson Scott Card Literary Boot Camp, and the 2008 Taos Toolbox Writers Workshop. He’s an active member of SFWA with over 100 short story sales, including ones to Analog, Amazing Stories, and Escape Pod, and 18 to Galaxy’s Edge. He’s also published several novels (When Parallel Lines Meet, co-written with Mike Resnick and Lezli Robyn; Campaign 2100: Game of Scorpions; Sorcerers in Space; and The Spirit of Pong) and short story collections (Pings and Pongs, More Pings and Pongs, and Still More Pings and Pongs). In the world of non-fiction, Larry’s a full-time writer with 17 books and over 1,900 published articles in over 170 different publications. You can visit him online at www.larryhodges.com.
You’re a 2006 graduate of the Odyssey Writing Workshop. What made you decide to attend? What insights did you gain into your own work?
I did some research and asked around, and Odyssey seemed the most recommended workshop. (Having Robert J. Sawyer as a “Writer in Residence” that year greatly helped!) Probably the biggest insight I learned about my own work was that I’m an “idea” and “humor/satire” writer who needs to focus on character and other aspects equally. I also went in knowing that I had little feel for description, and so have spent years working to overcome that. One thing that helped: Robert and Odyssey Director Jeanne Cavelos suggested writing a story that was all about description, and so I wrote and sold “In the Belly of the Beast,” where the whole story takes place in the belly of a dragon that has swallowed a bunch of people, including a wizard who creates a field to protect them in the dragon’s stomach—and much of the story revolved around vivid descriptions of the “venue.” It also became a character story about the wizard.
Continue reading “Interview: Graduate Larry Hodges (Part 1 of 2)”
Katherine McMullen Yañez is a graduate of the 2021 Odyssey Writing Workshop. She holds an MFA in Creative Writing from Bluegrass Writers Studio at Eastern Kentucky University. Her work has been featured in Parhelion Literary Magazine, Aurora Online, and in the short story anthology from KY Press, Scary Story: An Anthology. Her short story, “The People Tree: An American Fable” was nominated for Best of the Net. A proud native Kentuckian, she is currently freezing her @ss off in Northeastern Ohio.
I applied to Odyssey when my writing had come to a stand-still and nothing I tried was able to jumpstart it. Convinced I had writer’s block, I hoped the frantic pace and harsh deadlines would spur me out of my rut. Within the first few days (maybe even hours!) I realized I didn’t have writer’s block—I just sucked at plotting. My writing was stalled because I didn’t have a firm grasp what the events of the story were supposed to be. Having an MFA degree, it was humbling to realize I was lacking in such fundamental aspects of story.
Continue reading “Graduate Essay: “Odyssey: A Storytelling Jumpstart” by Katherine McMullen Yañez”
Sam Weiss is a graduate of the 2007 Odyssey Writing Workshop and the 2021 Odyssey Online class “Emotional Truth: Making Character Emotions Real, Powerful, and Immediate to Readers.” She is an applied mathematician who works in Boston with her husband and two cats. Her first professional sale, “There Will Be No Alien Invasion,” was published in Fireside in August 2021.
When I first started writing, I got a lot of “pretty writing but this isn’t really a story” critiques. I didn’t have a clue how to fix those stories or even what underlying problem those critiques pointed to. Once I wrapped my head around active main characters working toward a specific goal, obstacles, causal chains, and the framing of character change, those criticisms abruptly stopped. My stories fared better in my attempts to publish them (and caused less pain to those reading them), but I acquired a new set of criticisms: that my point of view was too distant, that I was telling and not showing, that I was showing but not telling, that the emotions my characters felt seemed inauthentic or inappropriate for their situations, or that the emotions were too on the nose.
Continue reading “Graduate Essay: “Adventures in Emotional Craft” by Sam Weiss”
F. P. Rahe is a 2020 graduate of the Odyssey Writing Workshop. She is an alumna of the 2019 Iowa Young Writers’ Studio and has been recognized at the national level by the Scholastic Art and Writing Awards. When not reading or writing, she enjoys making omelets, criticizing Socrates, and hanging out with her family.
I applied to Odyssey in March of 2020 because I wanted to make a serious improvement in my writing. I had been working on my writing for years before that point, hammering away at novels and short stories each day. My writing was competent prose-wise, but not exceptional. I had only a slight instinctual grasp of the vagaries of character and plot. Causal chains were a concept I was utterly unfamiliar with. This ignorance of the conscious craft of writing impacted my work in many extremely negative ways. Among other things, I was unable to recognize or address many of the problems in my stories, preventing me from making valuable progress. I knew I needed to improve; I hoped Odyssey would show me how.
Continue reading “Graduate Essay: “My Odyssey Experience” by F. P. Rahe”
Libby Barringer is a 2020 graduate of the Odyssey Writing Workshop. She writes fantasy and science fiction, and she lives in the New York Hudson Valley with her husband and their excellent cat. She earned her PhD in political science in 2016 from UCLA, and when not writing, she teaches courses in political philosophy and literature with Bard College and with the Bard Prison Initiative.
If you are thinking about attending Odyssey, chances are you are grappling with a few big questions: Is this the right workshop for me? Will this help my writing, and will this help me in my professional career? What do attendees actually do for all six weeks of classes? How much more is there really to learn about writing, and can the workshop really deliver? Is it really as intense as everyone says?
Continue reading “Graduate Essay: “Is Odyssey the Right Workshop for You?” by Libby Barringer”
Linden A. Lewis (she/they) is a queer writer and world wanderer currently living in Madrid with a couple of American cats who have little kitty passports. Tall and tattooed, Linden exists only because society has stopped burning witches.
Linden attended the Odyssey Writing Workshop in 2016, and their short fiction has appeared in Beneath Ceaseless Skies. They are represented by Alexandra Machinist at ICM Partners in New York City. Their first novel, The First Sister, was released in August 2020.
While there is a 95% chance Linden is a cryptid, they can often be spotted in the wild cosplaying or acting (yes, they appeared in an episode of The Walking Dead). Nowadays, they are most frequently found lurking on both Instagram and Twitter @lindenalewis.
You’re a 2016 graduate of the Odyssey Writing Workshop. What made you decide to attend?
In 2015, I wrote and began querying a book, but I knew, even before I started getting rejections, that someone was wrong with it. Something was missing. After a year of hearing the same thing from agents, I decided to apply to the Odyssey Writing Workshop, hoping I’d be able to discover what I lacked. Turned out I was right!
Continue reading “Interview: Graduate Linden A. Lewis”
Odyssey graduate and bestselling author Gregory Ashe will be a guest lecturer at this summer’s Odyssey Writing Workshop. Gregory is a longtime Midwesterner. He has lived in Chicago, Bloomington (IN), and Saint Louis, his current home. He primarily writes contemporary mysteries, with forays into romance, fantasy, and horror. Predominantly, his stories feature LGBTQ protagonists. When not reading and writing, he is an educator.
For more information, visit his website: www.gregoryashe.com.
As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?
The most important thing writers can do is keep trying. That’s not just general encouragement, although I do believe that persistence and hard work will probably pay greater dividends than waiting for genius, talent, or inspiration. I also mean keep trying new things: new genres, new points of view, new narrative structures, new character types, new lengths. As with so many crafts, failures in writing often teach more than successes, and trying new things will force you to stretch and grow—and it may help you see your own strengths and weaknesses.
Continue reading “Interview: Graduate & Guest Lecturer Gregory Ashe”
J.A. Schimmel is a 2018 graduate of the Odyssey Writing Workshop, as well as several of the Odyssey Online Classes. When the world is not on fire, she divides her time between Illinois and Michigan while writing speculative fiction and slowly racking up rejections.
Once upon a time, I worked on writing creative fiction mostly on my own. Inevitably, I came to the end of where writing in isolation and studying published works would allow me to grow as a writer. I could see that in my work, but I couldn’t identify where my weaknesses were and improve on them. So… how to solve this issue? Continue reading “Graduate Essay: “What to Expect from Odyssey Online” by J.A. Schimmel”
Freelance editor, fiction author, and wood artisan Adria Laycraft earned honours in Journalism in 1992 and has always worked with words and visual art. She co-edited the Urban Green Man anthology in 2013, which was nominated for an Aurora Award, and launched her debut novel Jumpship Hope in 2019. Look for her short stories in various magazines and anthologies, both online and in print. Adria is a grateful member of Calgary’s Imaginative Fiction Writers Association (IFWA) and a proud survivor of the Odyssey Writing Workshop. Learn more at adrialaycraft.com, or follow her YouTube channels Carving the Cottonwood and Girl Gone Ground.
You attended the Odyssey Writing Workshop in 2006. What made you decide to attend?
A big-name author told me I was ready, that it would do me good if I was up for the commitment. I had only ever heard of Clarion at that point. I wanted to prove to myself that I had what it took. I actually did my own personal Odyssey the winter before, following the syllabus I found online, just to test myself and my discipline. Continue reading “Interview: Graduate Adria Laycraft”
Alec Hutson is a 2003 graduate of the Odyssey Writing Workshop. He lives in Shanghai and is the author of the epic fantasy trilogy The Raveling. The first novel in the trilogy, The Crimson Queen, was named one of Booknest’s Top 100 Fantasy Books of Our Century.
You attended Odyssey in 2003. Can you talk about your pre-Odyssey writing process? What kind of writing schedule, if any, did you keep?
I had none! I had just graduated college, and although I’d dreamed of being a writer, I hadn’t written more than a few short stories. Continue reading “Interview: Graduate Alec Hutson”