Interview: Graduate & Guest Lecturer E.C. Ambrose

Elaine IsaacAuthor and Odyssey graduate E.C. Ambrose will be a guest lecturer at this summer’s Odyssey Writing Workshop. She writes knowledge-inspired adventure fiction including The Dark Apostle series about medieval surgery, The Singer’s Legacy fantasy series (as Elaine Isaak), and the Bone Guard international thrillers (as E. Chris Ambrose). Her latest releases are Bone Guard Two: The Nazi Skull, and The King of Next Week (Guardbridge). In the process of researching her books, Elaine learned how to hunt with a falcon, clear a building of possible assailants, and pull traction on a broken limb. Her short stories have appeared in Fireside, Warrior Women, and Fantasy for the Throne, among many others, and she has edited several volumes of New Hampshire Pulp Fiction. A graduate of the Odyssey Writing Workshop, Elaine has returned there to teach, as well as at conventions and writer’s groups across the country. She has judged writing competitions from New Hampshire Literary Idol to the World Fantasy Award.

Elaine dropped out of art school to found her own business. A former professional costumer and soft sculpture creator, Elaine now works as a part-time adventure guide. In addition to writing, Elaine creates wearable art employing weaving, dyeing, and felting into her unique garments. To learn about all of her writing, check out RocinanteBooks.com.


As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?

The most important thing about your first works are to FINISH THEM. We tend to obsess about where to start, how to start, how to handle this or that thing, or (heaven forbid!) which publisher or agent to send this book to when it turns out to be brilliant, because of course it will be. Or we fret that it just won’t ever be good enough and polish the same three chapters over and over every time we feel we have leveled up as a writer. But here’s the deal. You can’t level up until/unless you finish things. The only way to really learn how to write a story arc is to complete one. Then another. Then another, then get feedback on them and write another one. Then study some of your favorite stories with your newly jaundiced writer’s eyes, then write another. Finish things. The first ones won’t be great things, most likely, but they will teach you how to middle and how to end. Learning how to middle and how to end will help you understand where and how to begin. Focus less on polishing and revising and more on delivering words of story on the page. Bonus: when you finish a thing, it feels really good! Continue reading “Interview: Graduate & Guest Lecturer E.C. Ambrose”

Interview: Graduate & Guest Lecturer Meagan Spooner

SpoonerNew York Times bestselling author and Odyssey graduate Meagan Spooner will be a guest lecturer at this summer’s Odyssey Writing Workshop. She is the author of Hunted, Unearthed, and the Starbound Trilogy (These Broken Stars, This Shattered World, and Their Fractured Light). She attended Odyssey in 2009 and sold her first novel a year and a half later.

She grew up in Virginia, reading and writing every spare moment of the day, while dreaming about life as an archaeologist, a marine biologist, and an astronaut. She’s traveled all over the world to places like Egypt, Australia, South Africa, Antarctica, and the Galapagos, and there’s a bit of every trip in every story she writes.

She currently lives and writes in Asheville, North Carolina, but the siren call of travel is hard to resist, and there’s no telling how long she’ll stay there.

In her spare time she plays guitar, plays video games, plays with her cat, and reads.


As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?

One of the things I tell developing writers is to get used to sharing your work as early as you can. Learning to receive both praise AND critique is an invaluable skill, and like any skill, it takes practice! Leaving aside the emotional component that makes sharing work and receiving critique difficult, one of the hardest things to learn as a writer is the ability to pick and choose what elements of a critique serve you and your story. Not every suggestion is right for you—and what might work well for one writer’s style may not work for another. You can’t accept and implement every suggestion you get, but neither can you reject it all out of hand! This skill is one that simply takes practice, and a lot of it! Continue reading “Interview: Graduate & Guest Lecturer Meagan Spooner”

Interview: Graduate Jason S. Ridler (Part 2 of 2)

ridler2005 Odyssey Writing Workshop graduate Jason S. Ridler is a writer, improv actor, and left-wing military historian. His novels include Hex-Rated, the first installment of the Brimstone Files series for Night Shade Books; Rise of the Luchador; and Death Match. He’s also published over sixty stories and numerous academic publications. FXXK WRITING! A Guide for Frustrated Artists collects the best of his column of the same name, and his next historical work, Mavericks of War, is forthcoming from Stackpole Books. A former punk rock musician and cemetery groundskeeper, Mr. Ridler holds a Ph.D. in War Studies from the Royal Military College of Canada. He lives in Berkeley, CA and is a Teaching Fellow for Johns Hopkins University.


Part 1 of this interview, posted last Sunday, is available here.

Your latest novel, Hex-Rated, is about a PI investigating supernatural happenings in the 1970s Hollywood porn industry. As a historian, what drew you to writing about the 1970s and the porn industry? How did you handle mashing multiple genres together?

The 1970s, especially the early 70s, are about dreams and hopes dying and being reborn (a theme in my own work and life). It’s the end of the Love Generation and the birth of the Manson murders, of peace movements helping end Vietnam and the return of soldiers with PTSD, of drugs eating through the hearts and minds of people as much as expanding their consciousness. Heavy metal and proto-punk is screaming at the sincerity of the folk-rock and Woodstock crew. It’s the shifting sands of violence in the civil rights movement as desegregation takes hold and black nationalism refuses to bow to white power and privilege and searches for alternatives to the power structures that abide. And it’s the emergence of the modern adult film industry.  Continue reading “Interview: Graduate Jason S. Ridler (Part 2 of 2)”