Sheila Williams will be a guest lecturer via Skype at this summer’s Odyssey Workshop. Sheila is the multiple Hugo Award-winning editor of Asimov’s Science Fiction magazine. She is also the winner of the 2017 Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community.
Sheila started at Asimov’s in June 1982 as the editorial assistant. Over the years, she was promoted to a number of different editorial positions at the magazine, and she also served as the executive editor of Analog from 1998 until 2004. With Rick Wilber, she is the co-founder of The Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy. This annual award has been bestowed on the best short story by an undergraduate student at the International Conference on the Fantastic since 1994. She has served as an instructor at Clarion, Clarion West, Odyssey, and other writing workshops. In addition, she coordinates the Asimov’s website (www.asimovs.com).
In addition, Sheila is the editor or co-editor of twenty-six anthologies. Her newest anthology, Entanglements: Tomorrow’s Lovers, Families, and Friends, is the 2020 volume of MIT’s Twelve Tomorrow’s anthology series.
Sheila received her bachelor’s degree from Elmira College in Elmira, New York, and her MA in philosophy from Washington University in St. Louis, Missouri. During her junior year she studied at the London School of Economics. Sheila is the mother of two daughters. She lives in New York City with her husband, David Bruce.
You talked about appealing story openings during your lecture in 2013 at Odyssey. What makes for a satisfying ending to a story?
It’s a huge relief when an unfamiliar author lands the ending. In a great ending, the multiple layers of a story come together in a satisfying way. A well-thought-out ending shows me that I’m in the hands of a professional or budding professional. Generally, a good ending is not one that the author tacked on to their story. Sometimes I realize that the ending was foretold in the opening paragraphs, but that doesn’t mean that it was predictable, just that the groundwork was laid. Although an ending can develop organically from the tale being told, many authors begin their story with an understanding of exactly where and how the story will conclude. Sometimes they even write it first. Continue reading “Interview: Guest Lecturer Sheila Williams”