Interview: Graduate Alec Hutson

AlecHutsonAlec Hutson is a 2003 graduate of the Odyssey Writing Workshop. He lives in Shanghai and is the author of the epic fantasy trilogy The Raveling. The first novel in the trilogy, The Crimson Queen, was named one of Booknest’s Top 100 Fantasy Books of Our Century.


You attended Odyssey in 2003. Can you talk about your pre-Odyssey writing process? What kind of writing schedule, if any, did you keep?

I had none! I had just graduated college, and although I’d dreamed of being a writer, I hadn’t written more than a few short stories. Continue reading “Interview: Graduate Alec Hutson”

Interview: Graduate Travis Heermann (Part 2 of 2)

Heermann-hi-resFreelance writer, novelist, award-winning screenwriter, editor, poker player, poet, biker, and roustabout Travis Heermann is a 2009 graduate of the Odyssey Writing Workshop. He is the author of The Ronin Trilogy, Rogues of the Black Fury, and co-author of Death Wind, and has had short fiction pieces published in anthologies and magazines such as Apex Magazine, Alembical, the Fiction River anthology series, Historical Lovecraft, and Cemetery Dance’s Shivers VII. As a freelance writer, he has produced a metric ton of role-playing game work both in print and online, including the Firefly Roleplaying Game, Battletech, Legend of Five Rings, d20 System, and the MMORPG, EVE Online.

He has a Bachelor of Science in Engineering, a Master of Arts in English, and teaches science fiction literature at the University of Nebraska Omaha. He enjoys cycling, martial arts, torturing young minds with otherworldly ideas, and monsters of every flavor, especially those with a soft, creamy center. He has three long-cherished dreams: a produced screenplay, a NYT bestseller, and a seat in the World Series of Poker.


Part 1 of this interview, posted last Sunday, is available here.

How do you feel your writing and writing process changed as a result of having attended Odyssey? What insights did you gain into your own work?

The biggest thing that I got from Odyssey was being able to apply a working vocabulary to aspects of writing that I had been mostly doing only intuitively. Story structure is a good example. I was vaguely aware that stories had an act structure, but I’d never applied myself to learning all that before. Continue reading “Interview: Graduate Travis Heermann (Part 2 of 2)”