Barbara Ashford will be a guest lecturer at this summer’s Odyssey Writing Workshop. She abandoned a career in educational administration to pursue a life in the theatre, working as an actress in summer stock and dinner theatre and later, as a lyricist and librettist. She’s written everything from cantatas to choral pieces, one-hour musicals for children to full-length ones for adults. Her musicals have been performed throughout the world, including such venues as the New York Musical Theatre Festival and the Edinburgh International Festival.
In 2000, after Barbara began writing fiction, she attended Odyssey. The workshop provided the supportive feedback and immersion in the craft of writing speculative fiction that she needed to create Heartwood, the first book of her Trickster’s Game trilogy (written as Barbara Campbell). Published by DAW Books, Trickster’s Game went on to become a finalist for the Mythopoeic Society’s 2010 Fantasy Award for adult literature.
Barbara returned to her theatre roots for her most recent novel, Spellcast, a contemporary fantasy set in a magical summer stock theatre in Vermont. She is currently at work on the sequel—Spellcrossed—to be published in June 2012.
Her short fiction has appeared in the anthologies After Hours: Tales from the Ur-Bar and The Modern Fae’s Guide to Surviving Humanity (March 2012). When she’s not writing, she critiques manuscripts for the Odyssey Critique Service.
How would you compare your pre-Odyssey writing to your post-Odyssey writing? What changed the most for you?