Interview: Graduate & Guest Lecturer Scott H. Andrews

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Photo credit: Al Bogdan

Odyssey graduate Scott H. Andrews will be a guest lecturer at this summer’s Odyssey Writing Workshop. Scott lives in Virginia with his wife, two cats, thirteen guitars, a dozen overflowing bookcases, and hundreds of beer bottles from all over the world. He writes, teaches college chemistry, and is Editor-in-Chief and Publisher of the seven-time Hugo Award finalist online fantasy magazine Beneath Ceaseless Skies.

Scott’s literary short fiction has won a $1,000 prize from the Briar Cliff Review, and his genre short fiction has appeared in Space & Time, Crossed Genres, and Ann VanderMeer’s Weird Tales.

He has lectured on short fiction, secondary-world fantasy, editing, magazine publishing, audio podcasting, beer, and heavy metal on dozens of convention panels at multiple Worldcons, World Fantasy Conventions, and regional conventions in the Northeast and Midwest, and he has taught fiction writing for Clarion West, The Cat Rambo Academy for Wayward Writers, Houston Writefest, and at Odyssey. He is a seven-time World Fantasy Award finalist and 2019 winner for his work at Beneath Ceaseless Skies, and he celebrates International Stout Day at least once a year.


You’re the editor-in-chief and publisher of Beneath Ceaseless Skies, a magazine for literary adventure fantasy. What do you look for in the stories you buy?

The major thing I love to see in all stories is “the human heart in conflict with itself,” which is a quote from Faulkner’s Nobel Prize acceptance speech. I want to see a character who is dealing with some sort of conflict, whether an external struggle like plot obstacles or an internal one like trying to overcome flaws or to grow in relationships, or ideally both external and internal. But the story also needs to make me FEEL something about that character who is in conflict. I get many stories, by writers who’ve been to workshops, that have a character in an interesting situation, but the writer isn’t executing the story such that the writing makes me feel what it means to be who that character is. For me it’s not enough just to see the character or focus on them; the story has to resonate off the page and make me feel for the character. Continue reading “Interview: Graduate & Guest Lecturer Scott H. Andrews”

Graduate Essay: J.W. Alden–Submitting Short Fiction to Professional Markets

J.W.Alden_8x10_300dpi_3J.W. Alden is fascinated with the fantastic. He lives near West Palm Beach, Florida with his wife Allison, who doesn’t mind the odd assortment of musical instruments and medieval weaponry that decorate his office (as long as he brandishes the former more often than the latter).

Alden is a 1st Place Writers of the Future winner, an active member of SFWA, and a graduate of the 2013 class of the Odyssey Writing Workshop. His fiction has appeared in Nature, Daily Science Fiction, the Unidentified Funny Objects anthology series, and various other publications.

Read more from him at http://www.AuthorAlden.com.


When you’re just starting, the prospect of selling fiction can be an exciting goal. There’s nothing more validating than an editor paying you actual money for your work. But there’s a question every new author faces when they start submitting stories for publication: to pro or not to pro? The road to publication is paved with rejections, and the bigger the market, the thicker the competition. But that doesn’t mean you should sell yourself short! If you’ve written a story you feel is ready for publication, that means your amateur days are behind you. It’s time to turn pro.

 

Don’t Self-Reject–Start at the Top

You’ll never make a sale if you don’t submit. Selling to the pros (or anywhere else) starts first and foremost with having the guts to send your story out into the wild. And that’s easier said than done! It’s no small feat to take something you’ve labored over, a piece of yourself, and send it off to be judged by strangers. If you think about that too hard, you might find yourself coming up with excuses to keep it tucked away, out of the light. The more prestigious the market, the greater that temptation can become. Continue reading “Graduate Essay: J.W. Alden–Submitting Short Fiction to Professional Markets”

Interview: Sheila Williams

Sheila WilliamsSheila Williams will be a guest lecturer at this summer’s Odyssey Writing Workshop. She is the two-time Hugo-Award-winning editor of Asimov’s Science Fiction magazine. She started at Asimov’s in June  1982 and served as the executive editor of Analog from 1998 until 2004. She is also the co-founder of the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing  (formerly the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy Writing). In addition, she coordinates the websites for Asimov’s(www.asimovs.com).

Sheila is the editor or co-editor of twenty-five anthologies. The most recent are Asimov’s Science Fiction Magazine’s 30th Anniversary Anthology (Tachyon Publications, 2007), which received a starred review from Publishers Weekly and was on the 2007 Locus Recommended Reading list, and the 2010 Enter A Future: Fantastic Tales from Asimov’s Science Fiction, which is exclusively available for Amazon’s Kindle.

Sheila received her bachelor’s degree from Elmira College in Elmira, New York, and her master’s from Washington University in St. Louis, Missouri. During her junior year she studied at the London School of Economics. She lives in New York City with her husband, David Bruce, and her two daughters.


What is the most common mistake that writers make in their manuscript submissions to you? Most editors develop pet peeves as they encounter manuscripts that continually violate submission guidelines or make some other irritating mistake. Which one bothers you the most? Continue reading “Interview: Sheila Williams”