Interview: Graduate & Guest Lecturer Barbara Ashford

barbara ashfordBarbara Ashford will be a guest lecturer at this summer’s Odyssey Workshop. Barbara has been praised by reviewers and readers alike for her compelling characters and her “emotional, heartfelt” storytelling. Her background as a professional actress, lyricist, and librettist has helped her delve deeply into character and explore the complexities of human nature on the stage as well as on the page. Her musical adaptation of Far from the Madding Crowd has been optioned for Broadway.

Barbara’s first published series was the dark fantasy trilogy Trickster’s Game (written as Barbara Campbell). Published by DAW Books, Trickster’s Game was a finalist for the Mythopoeic Society’s 2010 Fantasy Award for adult literature.

She drew on her musical theatre roots for her second novel series, the award-winning Spellcast and its sequel Spellcrossed, set in a magical summer stock theatre. DAW Books released the two novels in an omnibus edition: Spells at the Crossroads.

A 2000 graduate of the Odyssey workshop, Barbara has taught eight online courses for Odyssey and has served on the staff of the Odyssey Critique Service for more than a decade. You can visit her dual selves at barbara-campbell.com and barbara-ashford.com.


You’re one of several authors who provide in-depth critiques for the Odyssey Critique Service. What are some of the common weaknesses you see in submissions?

Often, writers do not think about how the various “big picture” elements—plot, character, theme, world—relate to each other. To me, it’s critical to understand the heart of the story you’re telling. Whether you call that the story’s promise or its theme, without a clear understanding of the “message” you want readers to take away, the story can devolve into a series of plot incidents instead of evolving into a unified whole where all the “big picture” elements work together to create a story that is more cohesive and compelling. Continue reading “Interview: Graduate & Guest Lecturer Barbara Ashford”

Director’s Corner: Unifying Your Story around a Meaningful Theme

jeanneJeanne Cavelos is the director of the Odyssey Writing Workshops Charitable Trust. She was a senior editor at Bantam Doubleday Dell, where she worked for eight years, editing the fantasy/science fiction program, the Abyss horror line, and other fiction and nonfiction. Jeanne is also the bestselling author of seven books and numerous short stories and articles. She has won the World Fantasy Award and twice been nominated for the Stoker Award.

Find out more about Jeanne here and more about the Odyssey Writing Workshop here.


When I’m teaching at the Odyssey Writing Workshop and I bring up theme, some writers balk. They’re eager to learn about setting, character, point of view, plot, and more, but theme, to some, seems like an abstract, mysterious, high-school English class torture device that doesn’t relate to what they’re writing. Even those few who have fond memories of discussing the theme of Romeo and Juliet in high school often do little more than jot down a theme for their story, set it aside, and forget it. Continue reading “Director’s Corner: Unifying Your Story around a Meaningful Theme”