Interview: Graduate Michael J. DeLuca

michael_j_deluca2017Michael J. DeLuca is a 2005 Odyssey Writing Workshop graduate who lives in the rapidly suburbifying post-industrial woodlands north of Detroit with wife, kid, cats, perennials, worms and microbes. He is the publisher of Reckoning, a new journal of creative writing on environmental justice. His short fiction has appeared most recently in Beneath Ceaseless Skies, Three-Lobed Burning Eye, Strangelet and Middle Planet. You can find him online at @michaeljdeluca or mossyskull.com.


You attended the Odyssey Writing Workshop in 2005. What made you decide to attend the workshop? 

I’d written a very long fantasy novel that didn’t sell and decided it would be a much wiser course not to pour a bunch of time into another novel but work on improving my writing via short fiction instead. So I joined my first-ever Milford method critique group, WriteShop, in Columbus, Ohio, which happened to include Charles Coleman Finlay—who at the time was writing smart, fun, noirish SF for the Magazine of Fantasy and Science Fiction and now is the editor. Charlie’s a great, perceptive critiquer and teacher, and I think he caught on quickly to the fact that I wanted to get better and didn’t mind working at it. He encouraged me to apply to a six-week workshop. I picked Odyssey, barely knowing the work of any of that year’s guest authors and never having heard of Odyssey Director Jeanne Cavelos before, based almost entirely on liking what I read about the curriculum—and also that New Hampshire was pretty much my favorite place in the world. Continue reading “Interview: Graduate Michael J. DeLuca”

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Interview: Graduate Rebecca F. Kuang

Kuang HeadshotRebecca F. Kuang studies modern Chinese history at Georgetown University and will be pursuing her graduate studies at the University of Cambridge as a Marshall Scholar. She graduated from the Odyssey Writing Workshop in 2016 and the CSSF Novel Writers Workshop in 2017. Her debut novel The Poppy War is about empire, drugs, shamanism, and China’s bloody twentieth century. It will be published by Harper Voyager in May 2018. She tweets at @kuangrf and blogs at www.rfkuang.com.


You attended the Odyssey Writing Workshop in 2016. Can you talk about your pre-Odyssey writing process? What kind of writing schedule, if any, did you keep

Before Odyssey, I gave myself just one hard and fast rule: write 2,000 words a day, every day, no matter how bad they are. (To be fair, I was on a work schedule where I could make time to do this, whereas now I count myself lucky if I can squeeze 1,000 words in on a good day.) I’d never taken a creative writing class before, so had absolutely no understanding of craft, plot structure, or world-building before I dove in. I bought some books on writing genre fiction and read them along the way, but it was very much a DIY approach to writing. Continue reading “Interview: Graduate Rebecca F. Kuang”

Interview: Graduate Holly Schofield

Holly Schofield travels through time at the rate of one second per second, oscillating between the alternate realities of city and country life. She is the author of over fifty short stories, some of which are used in university curricula and have been translated into several languages. Her works have appeared in LightspeedTesseracts, the Aurora-winning Second Contacts, and many other publications throughout the world. She hopes to save the world through science fiction and homegrown heritage tomatoes. Watch for new stories soon in Brave New Girls, The Young Explorer’s Adventure Guide, and Analog. For more of her work, visit hollyschofield.wordpress.com.


You attended the Odyssey Writing Workshop in 2014. How do you feel your writing and writing process changed as a result of having attended Odyssey? What insights did you gain into your own work?

In 2014, I was struggling to piece together a “toolbox” of craft skills. I could see that writing SFF short stories (I’m not a novel writer) involved a very large amount of very small techniques, but I only had the vaguest idea of what those techniques were and how to apply them.

Jeanne’s curriculum is designed to cover everything. I filled in gaps that I hadn’t even known existed. Continue reading “Interview: Graduate Holly Schofield”

Interview: Guest Lecturer Gemma Files

gemma-filesFormer film critic, teacher, and screenwriter turned award-winning horror author Gemma Files will be a guest lecturer at this summer’s Odyssey workshop. Her most recent book, Experimental Film (ChiZine Publications), won both y 2015 Shirley Jackson Award for Best Novel and the 2016 Sunburst Award for Best Adult Novel. Her other works include the Weird Western Hexslinger series (A Book of Tongues, A Rope of Thorns and A Tree of Bones), a dark fantasy story-cycle (We Will All Go Down Together: Stories of the Five-Family Coven), two short fiction collections (Kissing Carrion and The Worm in Every Heart), and two chapbooks of speculative poetry, along with over eighty short stories, novellas, and novelettes. Five of her stories were adapted into episodes of the dark erotica anthology series The Hunger (1997-1999 on Showtime, produced by Tony and Ridley Scott), two by herself.


As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?

Don’t censor yourself—all writing is useful writing, even if you don’t think it is at the time. Basically, it’s far easier to fix bad writing than it is to generate writing from the ground up, however good, especially under pressure. My own process tends to start with notes that slowly grow into sections of prose, develop a spine and blend together like fungus. I write maybe three unnecessary words for each necessary one, but unless you do your due diligence, you won’t have anything to cut down to. Letting go of the impulse to edit before you can proceed is the single most important lesson I’ve learned as a professional writer. Continue reading “Interview: Guest Lecturer Gemma Files”

Interview: Guest Lecturer Michael J. Sullivan (Part 2 of 2)

OLYMPUS DIGITAL CAMERAPublishing veteran Michael J. Sullivan will be a guest lecturer at this summer’s Odyssey Writing Workshop. He is the author of 29 novels and uses a wide range of publishing options, including self-publishing, small-press, big-five, Kickstarter, print-only, foreign translations, and audio. He’s sold more than 850,000 books, been translated into 15 foreign languages, and appeared on more than 150 “best of” or “most anticipated” lists, including those compiled by Library Journal, Barnes & Noble, Amazon, Goodreads, and Audible.com. His most recent novel, Age of Myth, hit #2 on the Washington Post Best Seller’s List for hardcovers. Because of his wide range of publishing experience, Michael has taught several courses with Writer’s Digest and been a guest speaker at multiple fantasy conventions, as well as BookExpo America (the largest publishing tradeshow in the world). He’s currently working on his fourth Riyria Chronicles novel. The second book in his Legends of the First Empire series, Age of Swords, will be released by Del Rey in the summer of 2017.


Part 1 of this interview, posted last Sunday, is available here.

How many stages does your work go through before you send it off to a publisher? How much of your time is spent writing the first draft, and how much time is spent in revision? What sort of revisions do you do?

Part of the problem in discussing the writing process is there are so many terms that mean different things to different people. For instance, I don’t re-write (which to me means starting the book over once you know where it ends up), but I do make a lot of changes through editing. There are some books where what was once on page one moved back to page fifty, and I cut some openings altogether. Is that re-writing or editing? For me, I consider that work editing, even though it may require rewriting parts of the book.

Okay, the process is rather long but here goes: Continue reading “Interview: Guest Lecturer Michael J. Sullivan (Part 2 of 2)”