Interview: Guest Lecturer Gemma Files

gemma-filesFormer film critic, teacher, and screenwriter turned award-winning horror author Gemma Files will be a guest lecturer at this summer’s Odyssey workshop. Her most recent book, Experimental Film (ChiZine Publications), won both y 2015 Shirley Jackson Award for Best Novel and the 2016 Sunburst Award for Best Adult Novel. Her other works include the Weird Western Hexslinger series (A Book of Tongues, A Rope of Thorns and A Tree of Bones), a dark fantasy story-cycle (We Will All Go Down Together: Stories of the Five-Family Coven), two short fiction collections (Kissing Carrion and The Worm in Every Heart), and two chapbooks of speculative poetry, along with over eighty short stories, novellas, and novelettes. Five of her stories were adapted into episodes of the dark erotica anthology series The Hunger (1997-1999 on Showtime, produced by Tony and Ridley Scott), two by herself.


As a guest lecturer at this summer’s Odyssey Workshop, you’ll be lecturing, workshopping, and meeting individually with students. What do you think is the most important advice you can give to developing writers?

Don’t censor yourself—all writing is useful writing, even if you don’t think it is at the time. Basically, it’s far easier to fix bad writing than it is to generate writing from the ground up, however good, especially under pressure. My own process tends to start with notes that slowly grow into sections of prose, develop a spine and blend together like fungus. I write maybe three unnecessary words for each necessary one, but unless you do your due diligence, you won’t have anything to cut down to. Letting go of the impulse to edit before you can proceed is the single most important lesson I’ve learned as a professional writer. Continue reading “Interview: Guest Lecturer Gemma Files”

Interview: Guest Lecturer Michael J. Sullivan (Part 2 of 2)

OLYMPUS DIGITAL CAMERAPublishing veteran Michael J. Sullivan will be a guest lecturer at this summer’s Odyssey Writing Workshop. He is the author of 29 novels and uses a wide range of publishing options, including self-publishing, small-press, big-five, Kickstarter, print-only, foreign translations, and audio. He’s sold more than 850,000 books, been translated into 15 foreign languages, and appeared on more than 150 “best of” or “most anticipated” lists, including those compiled by Library Journal, Barnes & Noble, Amazon, Goodreads, and Audible.com. His most recent novel, Age of Myth, hit #2 on the Washington Post Best Seller’s List for hardcovers. Because of his wide range of publishing experience, Michael has taught several courses with Writer’s Digest and been a guest speaker at multiple fantasy conventions, as well as BookExpo America (the largest publishing tradeshow in the world). He’s currently working on his fourth Riyria Chronicles novel. The second book in his Legends of the First Empire series, Age of Swords, will be released by Del Rey in the summer of 2017.


Part 1 of this interview, posted last Sunday, is available here.

How many stages does your work go through before you send it off to a publisher? How much of your time is spent writing the first draft, and how much time is spent in revision? What sort of revisions do you do?

Part of the problem in discussing the writing process is there are so many terms that mean different things to different people. For instance, I don’t re-write (which to me means starting the book over once you know where it ends up), but I do make a lot of changes through editing. There are some books where what was once on page one moved back to page fifty, and I cut some openings altogether. Is that re-writing or editing? For me, I consider that work editing, even though it may require rewriting parts of the book.

Okay, the process is rather long but here goes: Continue reading “Interview: Guest Lecturer Michael J. Sullivan (Part 2 of 2)”