Interview: Barbara Ashford

Barbara Ashford will be a guest lecturer at this summer’s Odyssey Writing Workshop. She abandoned a career in educational administration to pursue a life in the theatre, working as an actress in summer stock and dinner theatre and later, as a lyricist and librettist. She’s written everything from cantatas to choral pieces, one-hour musicals for children to full-length ones for adults. Her musicals have been performed throughout the world, including such venues as the New York Musical Theatre Festival and the Edinburgh International Festival.

In 2000, after Barbara began writing fiction, she attended Odyssey. The workshop provided the supportive feedback and immersion in the craft of writing speculative fiction that she needed to create Heartwood, the first book of her Trickster’s Game trilogy (written as Barbara Campbell). Published by DAW Books, Trickster’s Game went on to become a finalist for the Mythopoeic Society’s 2010 Fantasy Award for adult literature.

Barbara returned to her theatre roots for her most recent novel, Spellcast, a contemporary fantasy set in a magical summer stock theatre in Vermont. She is currently at work on the sequel—Spellcrossed—to be published in June 2012.

Her short fiction has appeared in the anthologies After Hours: Tales from the Ur-Bar and The Modern Fae’s Guide to Surviving Humanity (March 2012). When she’s not writing, she critiques manuscripts for the Odyssey Critique Service.

Barbara lives in New Rochelle, New York, with her husband, whom she met while performing in the play Bedroom Farce. You can visit her dual selves at barbara-campbell.com and barbara-ashford.com.


How would you compare your pre-Odyssey writing to your post-Odyssey writing? What changed the most for you?

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Graduate’s Corner: The Dangers of Writing What You Know by Barbara Ashford

A lot of Barbara Ashford’s life ended up in the pages of her new fantasy novel Spellcast. Like Maggie Graham, she grew up in Wilmington, Delaware, began performing at an early age, and–after a series of jobs in educational administration–ran away to the theatre.

Barbara worked as an actress in summer stock and dinner theatre and later, as a lyricist and librettist. She’s written everything from cantatas to choral pieces, one-hour musicals for children to full-length ones for adults.

After several attempts at writing a novel, she attended the Odyssey Writing Workshop in 2000. It provided the supportive feedback and immersion in the craft of writing speculative fiction that she needed to create Heartwood, the first book of her Trickster’s Game trilogy. Published by DAW Books, Trickster’s Game went on to become a finalist for the Mythopoeic Society’s 2010 Fantasy Award for adult literature.

Spellcast is her first contemporary fantasy and is inspired by her years as an actress. You can visit Barbara at her websites: http://www.barbaraashford.com and at http://www.barbara-campbell.com .


Writers of speculative fiction rarely follow the old adage “write what you know.” We’re writing about worlds that exist in Rod Serling’s “middle ground between light and shadow, between science and superstition.” Continue reading “Graduate’s Corner: The Dangers of Writing What You Know by Barbara Ashford”

Interview: Barbara Campbell

Barbara Campbell attended Odyssey in 2000. She is the author of the Trickster’s Game trilogy published by DAW Books. (Heartwood — 2005, Bloodstone — 2006, Foxfire — 2009). A lyricist and librettist as well as a novelist, her musicals have been performed throughout the world. She is a member of SFWA and ASCAP. Visit her website at www.barbara-campbell.com.

Can you talk about your pre-Odyssey writing process? What kind of writing schedule, if any, did you keep?

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